In the play Our Town, the people of Grover's Corners mask their worries and apprehensions about death in their quest for happiness. In the first act, a few deaths occur, and the attitude of the people towards these deaths is a negligent one of briefly acknowledging death and moving on. Also, the children in act two who are faced with adulthood are reluctant to accept the burden, through their hesitance to grow up and approach death. In the third act, when we finally get a clear picture of death, the reader sees that the people who are dead are regretful that their mundane lives were incomplete, not realizing the importance of life until they are dead. This method of living proves unfulfilling, as the dead arduously mourn their trivial lives yearning to have made a difference. The stage manager directs the flow of the play throughout, and his transient attitude towards death reflects Grover's Corners overall outlook on a life that tries to mentally avoid death. This stance is established primarily by the stage manager in his first act narrative, which hastily describes the fatalities, masking their importance and reality. "Want to tell you something about that boy Joe Crowell there. Joe was awful bright - graduated from high school here, head of his class. So he got a scholarship to Massachusetts Tech. Graduated head of his class there, too. It was all wrote up in the Boston paper at the time. Goin" to be a great engineer, Joe was. But the war broke out and he died in France." (P.9) This brief account demonstrates the importance placed on a man's death. The people of Grover's Corners live in a world where change is frowned upon; consequently, the means of dealing with such a great adjustment as death is to prevent themselves from thinking of it. In the stagnant society of Grover's corners, death is the ultimate obstacle, and ignorance is the remedy. Another instance where the stage manager subtly demonstrates this practice of evading notions of death is his intervention in scenes that broach the topic.
