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Life's A Journey


            
             High atop a bare, jagged hillside, and sealed off with rusted gates of .
             iron, lies a decaying and ancient estate that makes many of its neighbors .
             fearful. The hideous statues of demonic creatures look down on the town .
             with frightful eyes. Many townspeople are afraid of this horrifying house, .
             but all will enter.
             Vie N. Mort, a young, nave boy, walks up the mountainside, already leery .
             by nature, and with a feeling of foreboding, and a fear of the unknown, .
             approaches the estate. His heart pounds with every step he takes, and even .
             though his entrance causes a chill to shoot down his back, his curiosity .
             overrides his distrust and fear. The day is beginning, and the bright .
             morning sun provides the estate's only source of light. As Vie enters, he .
             sees a countless number of corridors. He chooses the first corridor to the .
             left, taking him along what seems to be a mile-long path, lined with books .
             on dusty bookshelves, ending at an ebony door. With some thought, he opens .
             the door, and sees a room as black as the casing he is standing under. .
             Nothing is present in this room save a ray of light which enters in through .
             a bleak, cloudy window. The light shines in the window and illuminates the .
             room. The unfurnished room appears to be endless, stretching beyond Vie's .
             sight. His fear of this room is unexplainable. His reaction is immediate .
             as he turns and runs from the room, frantically searching for an exit.
             Vie sprints down the hallway without knowledge of the path he is taking, and .
             soon becomes lost. In his desperate search for escape, time has elapsed and .
             it is now afternoon. Eventually, he stops running and looks around him. .
             There are before him many paths he can choose. He jogs, because he is now .
             too tired to run, down a corridor lined with old family portraits. At the .
             end of this corridor, he arrives at another ebony door. With hesitation he .
             opens the door and realizes that he is once again in the same black room.


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