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Jelly Roll Morton


            Ferdinand Joseph "Jelly Roll Morton" LaMenthe was born.
             in New Orleans, Louisiana on October 20, 1890.
             child he began to learn how to play the piano at age.
             10 years old. He was taught by Tony Jackson, composer.
             of songs like "Pretty Boy" and other hits. Tony.
             Jackson is among the few musicians whom Morton admired.
             and respected. He called Jackson " the greatest.
             single-handed entertainers in the world." After the.
             death of his mother, Morton began playing in.
             whorehouses and in the bordellos of the Storyville.
             district of New Orleans. There he became active as a.
             gambler, pool shark, and a lot of things that caused.
             his grandmother to throw him out of the house as a bum.
             and a scalawag. She did not want him around his two.
             little sisters. As a wanderer, and during the fair of.
             1904, he began traveling such cities as Chicago, Los.
             Angeles, St. Louis, and Denver playing with various.
             musical organizations as an in demand musician but he.
             could never stay long with one band. "He couldn't stay.
             long in one band too long because he was too eccentric.
             and too temperamental, and he was a one-man band.
             himself", said by bandleader George Morrison whom.
             Morton played for in Denver. Morton really wanted to.
             be the extreme musician. After that he toured the.
             south in a minstrel show for about a year and a half.
             In a bar in St. Louis where pianist hung out, Morton.
             had to prove his prowness by playing and reading music.
             pieces set before him.
             In 1912, Morton briefly settled in Chicago's South.
             Side where he published his first number, " The Jelly.
             Roll Blues," which was brought out by William.
             Rossiter. He traveled with this piece as far as New.
             York and as far west as California where he performed.
             with the Spike Brother as well as fronting his own.
             bands. During these years of travel, Morton apparently.
             fused a variety of black musical idioms- ragtime,.
             vocal and instrumental blues, items from the minstrel.
             shows repertory, field and levee hollers, religious.
             hymns, and spirituals- with Hispanic music from the.


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