Hana-Bi is a bloody yet beautiful film. It is marked by abrupt violence alongside serene nature, the film's title alone confirming this. In Japanese, the title translates into fire and flower(not exactly corresponding to its english title of Fireworks). This title is perfect for a film in which these opposing forces are at constant work. Takeshi Kitano is both director and star of this film. He directs with such grace and patience, that it becomes a movie unlike any other. The unconventional style of this cop drama could not be achieved without the artistry of Kitano, as well as the supporting members of his crew and cast.
From the first scene we are introduced to the style that the film will take shape of. Artwork is show with the credits and this will play a huge part in the film. Also, we are introduced to the abrupt change in tone that is present throughout the film. Somewhat dramatic music and peaceful art is playing in the beginning until all of a sudden, a car mit is slapped on the winshield of a car and the music suddenly stops. This is a bit uncomfortable for us, as viewers, and we are forced to look at the scene(and the film) in a different way. More than just changing the tone, in this single action of the mit hitting the windshield, Kitano begins the film.
From the first scene, it is evident that this is not the typical cop or action movie. Kitano is very still and patient with the camera, and allows the viewer to pick out what they want to see in a given shot. Even in the scenes where violence occurs, the camera remains still and lets things happen. Instead of prying in and shoving every detail in the audience's face, as does the typical action film, Kitano's camera sits back and observes. The first violent scene in the film is shocking and could be the most subjective shot in the film. It is a closeup of a man and a gun firing. This comes as a complete surprise to the audience, and we don't know quite why it's happening.
