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Hedda Gaber Symbolism


This use of a fourth wall realism works to mimic the appearance of a culturally recognizable space, in this case a family drawing room. This works to subvert traditional conventions and shows the way an individual is bound to society and can never be free from the social pressures and cultural assumptions that surrounds them. .
             The symbolism associated with the Tesman's house is strongly contrasted with the audiences expectations of a newly married couple and serves to develop the protagonist's sense of entrapment and psychological distress. The set is characterized by its use of dark colour in the furnishings and the lighting progressively becomes darker throughout the play. This is symbolic of Hedda's growing depression and the reducing opportunity for she has for freedom and power over her own life. The house is also termed by the smell of lavender and dried roses which Hedda says.
             "It reminds one of the departed all right. Like one's bouquet the day after the ball." (Act II, p305).
             The old bouquet can be seen to be symbolic of Hedda's fading of her youth "I had simply danced myself out my time was up"(Act II, p299). This also adds to the suffocation and the motif of death and decay and combined with the symbolism of flowers serve to contrast the audiences expectations of a newly wed couple. .
             The stage set also contains an "inner room" positioned at the back of the stage which represents Hedda's repressed inner self and psyche and also her history. Within this room are General Gabler's portrait and Hedda's piano that link Hedda to her history and premarital identity as Hedda Gabler, the aristocratic daughter of a general as opposed to the ornamental wife or trophy wife of Jorgen Tesman. General Gabler's portrait symbolically demonstrates how Hedda and her psyche are defined in terms of patriarchal authority. Hedda's use of this room signifies her need to retreat from the bourgeois environment and represents Hedda's alienation from the society she is trapped in.


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