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Formalistic Criticism For "Revelation"

            Formalistic Criticism for "Revelation".
             Formalistic critics often analyze stories by showing the relationship between various elements" meanings such as: plot, characters, point of view, setting tone, diction, images, and symbols. In "Revelation" the best formalistic approach is about the setting. This factor is used to define the characters in the story. It also gives the reader clues about the time period and geographic location. The protagonist of the story thinks that everyone is defined by his or her outward appearance; the question O" Connor asks is, "Should people judge others by superficial things like appearance?" In an attempt to explore the complexity (or hypocrisy) of the class system in the South, O" Connor uses a well-know setting described in vivid detail and stocked with stereotypical characters speaking local dialect. .
             O" Connor describes the primary setting in vivid detail. In the first paragraph O" Connor describes how the doctor's waiting room is very small and almost full when the protagonist, Mrs. Turpin enters. O" Connor also mentions that "when Mrs. Turpin, who was very large, enters she made the room look even smaller" (O" Connor 338). The setting shows the closeness of all the stereotypical characters makes for a conflict that is inevitable. The room may also represent the protagonist's small mindedness. Mrs. Turpin is narrow minded because of the way she thinks she is a good person, but yet has inner conflicts. She judges everyone by the way they look. Mrs. Turpin describes one person in particular who demonstrates lower class; as she looked around the room Mrs. Turpin sees "a woman with a yellow sweatshirt and wine-colored slacks, both gritty-looking, and the rims of her lips were stained with snuff. Her dirty yellow hair was tied behind with a little piece of red paper ribbon. Worse than niggers any day, Mrs. Turpin thought" (340). Her quick judgment reveals how small minded Mrs.


Essays Related to Formalistic Criticism For "Revelation"

1. The Formalist Approach to Literary Analysis

Therefore, unequivocal details, figurative language, and imagery should determine meaning when analyzing the tone of a text when applying the formalistic approach. ... A theme that is difficult to identify will result in criticism from the formalist perspective due an ineffective attempt to provide a precise identifiable theme. ... The ability to analyze literature from the formalistic point of view opens the door for opportunities offering a different perception to be considered. ... The formalistic approach to literary analysis is an exact literal analysis of literature based on the stru...

  • Word Count: 485
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2. Formalism

Many types of literary criticism abound, formalism plays on the theory that the pieces form is what composes its persona. ... From 1910 through the 20's Russia produced some of the more prominent formalistic critics and theorists including Victor Shklovsky and Vladimir Propp. ... The formalistic approach would discard the concept that the piece is and allusion to the world around it. ... Formalism generally regards literature as an object, whereas other types of literary criticism see it as "text". ...

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3. The Revelation In O'Connor's Revelation

The Revelation in O"Connor's Revelation Cultural studies, as applied to literary criticism, states that the works that come out of a certain region are inherently tied to the socioeconomic and culturalistic values of that region. ... This statement from O"Connor gives insight into what she felt while writing Revelation. ... This in itself is not a bad thing but, throughout Revelation O"Connor makes it clear that Mrs. ... While Mary never says much, she does prove to be a very important character in Revelation. ... Revelation is O"Connor's way of reminding Christians that everyone...

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4. Montage styles of Sergei Eisenstein and Dziga Vertov

Moreover, this formalistic expression shaped the remarkable developments in film theory and provided a new norm for distinctive and creative production of films by Russian producers during the 1920s. ... While Eisenstein was exploring collision montage, Vertov's formalistic expression in film was the creation of cinematic documentary with rhythmic montage through the visible world of the Kino-Eye (movie camera). ... Nevertheless, both have their merits and significances in explorative creation of formalistic films. ... Therefore, they explored formalistic approaches of creation and ...

  • Word Count: 1361
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5. Revelation

Revelation as a whole is often viewed as a very hard book to understand. ... There are many interesting things about Revelation 1. ... It reads, "The revelation of Jesus Christ- This is intriguing in that we"re not quite sure what is meant by a revelation of Jesus. ... Revelation 1:4 provides yet another intriguing aspect of the book in general. ... Eventually, we come to find out how John had this revelation. ...

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6. revelation

Turpin in "Revelation" has a good selfimage. ... The story "Revelation" has a major and a minor social conflict. ... In the beginning of "Revelation," Mrs. ... The book is not the only symbolism in "Revelation." ... "Revelation" was a doorway for Flannery O'Connor. ...

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7. Cold Sassy Tree

As one can see all of these are very just examples of why setting is a very important formalistic element. Hence, a very important formalistic element is conflict; conflict can help the reader stay interested in the main plot of the story. ... Furthermore, one of the most important formalistic element is titles and names. ...

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8. Revelation

The setting used for "Revelation" is in the early 1960's, somewhere down south in America. ... Turpin's concept of revelation, an ugly, nasty young woman, Mary Grace, is the mechanism through which the truth is revealed to Mrs. ... Turpin has an underlying trait that takes on a very important role in Revelation. ... In "Revelation," O'Connor used a great device of binary opposites through the linking of opposites -- two levels of meaning, two viewpoints, two irreconcilable conclusions. ... Now to answer the questions, "Did Flannery O'Connor has to use the language that she ...

  • Word Count: 1133
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9. The Book of Daniel and Revelation

The book of Daniel and the Revelation are counterparts of each other. ... Let us compare Daniel 7 and Revelation 13. ... Thus, the book of Daniel does relate to the book of Revelation. Moreover, these books mention other similar patterns such as "the Son of man" (Daniel 7:13, Revelation 1:13, 14:14), "Messiah" (Daniel 9:24,25, 11:22, Revelation 12:1-5), "Jesus' second coming" (Daniel 2:35,45, 7:13, 12:1,2, Revelation 14:14-16, 19:7), and "judgment of the wicked" (Daniel 7:11, Revelation 14:17-20, 20:4,5). ... How could the beast in Revelation 13 have 7 literal heads? ...

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