The camera then cut to an angle showing an un-focused, blurry figure standing a few meters behind the girl who now took up about half of the screen. With the crookedness of this old shack, one might expect this blurry figure to be a bad person. As the camera cut to the view of this person, we find ourselves behind a chicken-wire fence looking in at the girl. We see a shot/reverse-shot back and fourth between the girl nervously walking towards the woman and the woman standing at the door frame. With a friendly smile on the woman's face, we find that she will more than likely try to help the girl.
The camera cuts to a shot of some worn-out boots next to a door. These boots seem to have traveled a long way and perhaps they are representative of the girls who have a long journey ahead of them. The camera panned from the boots to the woman walking out of the door of a house carrying a tray of food; this editing created a temporal ellipsis from where the woman was in the chicken coop. As she walks out, she is looking at something off camera. The audience would probably be interested at this point to see what she is looking at. As the camera cuts to the three girls looking up, we find that an eyeline match was used. Looking scared and unsure, these girls are huddled very close together. A very low angle of the woman makes it seem like we are the girls looking up at her. As she nears towards the camera, she sticks a lunch bag out towards the camera and then we see a match on action of the three girls receiving the lunch bag. The youngest of the three girls gets up and takes the bag from the hand sticking out of the right side of the screen. .
Centered in the middle of the screen and standing very tall with the camera sitting very low, the woman has coats in her hands and she throws them towards the camera. This must be another ellipsis since she had only walked out of the house with a tray just a while ago.
