"Mechanized work is lifeless, proper only to the lifeless machine The solution depends on a change in the individual's attitude toward his work, not on the betterment of his outward circumstances." (Gropius).
Walter Gropius changed art and architecture forever the first day in April of the year 1919. (01) This was the time in which he felt an obligation to converge both the arts and crafts with the new industrial methods. He accomplished this when he took over the Art Academy in Weimer Germany established by the Grand Duke of Sachsen-Weimar. (02) During the next fourteen years, the school saw two more directors that may have had different ideals, but still maintained the original goals of the Bauhaus. (04) Its foundation was the first to achieve man's effort to come to terms with technology and art. Though it may have been short lived, the Bauhaus did more than any other organization in the 19th and 20th centuries to reconcile man and his man-made environment. .
In Germany during post World War I there were many disputes as to what was to be done in art and architecture. The theories were on the extreme sides of the spectrum, where on the one side were people who could not understand that the pre-war world was dead; on the other side they were determined to learn from the catastrophe. For these people the Bauhaus was a means to greatness, while the traditionalists were disgusted at its very existence. In Germany, and the rest of Europe for that matter, they were confident in their pursuit of the Exprssionism style during the early 20th century. Essentially, this was Romanticism, which is the experimentation of the artists expressing their individual views. .
At the beginning of October 1907 a hundred architects, designers, factory owners, and friends of art met in Munich. Together they founded the 'Deutscher Werkbund'. Its aim was to improve the form and quality of utility wares. Werkbund had partly got its influences from the English movement of Arts and Crafts.
Walter Gropius imagined this creation and it was called the Weimer Bauhaus. ... Bauhaus was most popular in the areas of Berlin, Dessau, and Weimar. ... The founder of the Bauhaus was a man by the name of Walter Gropius. ... Bauhaus tried to accomplish three primary goals. ... Many different people contributed to the Bauhaus exhibits. ...
THE BAUHAUS MOVEMENT The Bauhaus movement started just after the First World War and was inspirational in pulling together artists, designers, architects and many other thinkers under one creative roof. ... This became the rallying cry for many new movements and was to be an important part of the Bauhaus foundation. After the war The Bauhaus was the first reformed Art School after the First World War to take up teaching in the new Republic of Germany. ... The early years The early Bauhaus years were characterised by a powerful pioneering spirit. ... The Bauhaus was ...
In doing so I aim to focus mainly on The Bauhaus. ... (Walter Gropius, Director of the Bauhaus, 1919) The quote above is one which Gropius wrote in the opening lines of the Bauhaus manifesto. ... Together let us desire, conceive and create the new structure of the future, which will embrace architecture sculpture and painting in one unity and which will one day rise towards heaven from the hands of a million workers like the crystal symbol of a new faith" (Walter Gropius, Director of the Bauhaus. 1919) THE END OF THE BAUHAUS The political situation in Germany during the 1...
This period in architecture was defined by the Bauhaus, located in Dessau, Germany. Architecture as defined by Bauhaus is simple, quick, and disposable. ... The term "Bauhaus- means house for building. ... It's not completely modern in the Bauhaus style nor is it Gothic. ... Zack's diner is done in the Bauhaus style. ...
The International Style began as a movement in architecture known as "Bauhaus". ... "Bauhaus" became an institution from which a new social order would arise. ... Bauhaus buildings have flat roofs, smooth facades and cubic shapes. ... Although it was not designed by one of the Functionalists, it is one of the first high-rise buildings in the International Style. ... The Bauhaus designers were infatuated with metal. ...
While working as director of the Bauhaus School he educated many students on the important aspects of modernism. ... In the early 1900's Germany was falling behind in the new technologies leading to this new industrial design. ... In 1930 Mies became the director of the Bauhaus after turning the position down two years earlier. ... Soon after Mies took charge at the Bauhaus he began to radically change the curriculum at the Bauhaus. ... Unfortunately training under Mies only continued for three years and the Bauhaus was closed. ...
Both the International Typography and Architecture Style had their roots firmly planted in the Bauhaus. Bauhaus is the famous German school of design that had inestimable influence on modern architecture, the industrial and graphic arts, including typography. ... The Bauhaus was based on the 19th century English designer William Morris and the Arts and Crafts movement that art should meet the needs of society and that no distinction should be made between fine arts and practical crafts. ... Thus the Bauhaus style, also known as the International Style, was marked by the absence of ornament ...
