William Faulkner's Nobel Prize acceptance speech, in an essence, contains what good literature should. He speaks about the universal truths. Three of these in particular, are reflected in, "A Streetcar Named Desire". Love, pity, and pride all play an important role in the actions and feelings that take place throughout the story.
Love is what fuels the story, and starts some of the conflicts. Blanche is in desperate need of love when her husband commits suicide because of something she says to him So she turns to strangers. Here she's flirting with a young delivery boy, "Now you run along, now quickly! It would be nice to keep you, but i've got to be good- and keep my hands of children", scene 5 pg 196. Her promiscuity is what gets her fired from her teaching job and shunned in her prominent New Orleans town. While on the other hand, Stanley and Stella's love is pure, almost animal like, how they need one another so much. Here Stanley yells for Stella after a fight, "Stella! My baby dolls left me! I want my baby! Stella! Stella!" scene3 pg 179. This shows their need for one another. Blanche and Stella love one another very much. They've been through a lot, the loss of family, money and the loss of Belle Reve [the families estate]. Here Blanche and her greet one another, " Stella, oh, Stella, Stella for star, how i've missed you! ", scene 2 pg 152. They had a warm relationship, even though they had differences. .
No one ever wants to be pitied; it's almost a type of failure. Stella and Stanley are happy together, but Blanche pities her sister for marring a poor polish immigrant. Here Stella is trying to make justice to why Stanley hit her. "He didn't know what he was doing. He was good as a lamb when I came back, and he's really very, very ashamed of himself." scene 4 pg 183. She didn't want Blanche to pity her but Stella pitied Blanche for not being able to cope with reality. Here she's lying about letter found in her trunk," These are love-letters, yellowing with antiquity, all from one boy poems a dead boy wrote.
Tennesee Williams' Use Of Stage Effects And How They Change A Streetcar Named Desire Tennessee Williams' A Streetcar Named Desire is mastery of the use of lighting, setting, and sound to add to emotion and meaning to a play. ... It seems that the minor details of music, sound effects, lighting, and setting were actually some of the most important points of A Streetcar Named Desire. ...
In A Streetcar Named Desire the part that Tennessee Williams' life plays in the text is fairly large. ... His father withdrew him from university to work at the International Shoe Company, where he met Stanley Kowalski, who Tennessee Williams' has plastered all over A Streetcar Named Desire. ... Quoting A Streetcar Named Desire: The Playwright (http://hipp.gator.net/scarplaywright.html): 'He was noted for bringing to his audiences a slice of his own life and the feel of the southern culture. ... A personal interest/experience in the themes/issues and characters would not have...
The purest language of plays" - just by studying 'A streetcar named Desire" the reader can identity the numerous symbols Williams' uses to add depth to the plot as well as unveil his characters' personalities, strengths and weaknesses. ... Light, animal characteristics, music and the streetcars Desire and Cemeteries are symbols that Kazan puts emphasis on in the film just as Williams does in the play to lead up to the climax of Blanche's disintegration into insanity and Stanley's brutal triumph over her. ... "They told me to take a streetcar named Desire and then tr...
Tennessee Williams A Streetcar Named Desire- Tennesse Williams is known as one of the greatest American playwrights. ... Among his most notable and successful plays were "The Glass Menagerie-, which he refers to as "memory play-, "A Streetcar Named Desire-, "The Rose Tatoo- and "Cat on a Hot Tin Roof- for which he was appreciated winning the Pulitzer Prize. ... "Streetcar Named Desire- which was firstly entitled "The Poker Night- emerged right after the theatrical success of "The Glass Menagerie- when the authour learned to play poker game. ... The moment Blanche appea...
That play was A Streetcar Named Desire. ... It is no surprise that Williams again turned to Mielziner to design A Streetcar Named Desire. ... Thanks in large part to A Streetcar Named Desire, the duo of Mielziner and Williams helped to change theatre. ... At the time of A Streetcar Named Desire, "it was more like an accusation" (Murphy 1). ... When it came to A Streetcar Named Desire, Kazan's collaboration did not come cheap. ...
" A Streetcar Named Desire" by Tennessee Williams Bruce, Smith. ... "It's a French name. ... She tells him the origins of her name, which she treasures. ... "A Streetcar Named Desire" did not grab my attention at all. ... "A Streetcar Named Desire" was written in 1933, and many things have changed since then. ...
Viewing of A Streetcar Named Desire Although the basic story line is the same in both the book and the live play of A streetcar Named Desire, some things were different. ... For the most part, reading A Streetcar Named Desire was very similar to the live performance. ...
In the play "A Streetcar Named Desire" by Tennessee Williams, there are several prevalent themes. ... This is allegorically represented through Blanche DuBois's riding of the streetcars named Desire and Cemeteries. ... In "A Streetcar Named Desire", Tennessee Williams states that one can not shield himself from the harshness of reality by creating a fantasy alternative. ... This desire for physical relationships brought her to a more troubled state of reality. ... Tennessee Williams uses his play "A Streetcar Named Desire" to demonstrate the problem one faces with creating a fantasy...
Tennessee Williams uses symbols to help communicate his ideas in A Streetcar Named Desire. ... Clothing is a recurring symbol in A Streetcar Named Desire. ... Death, as told by Blanche, is the opposite of Desire, and Blanche wishes to be desired. ... The streetcar named Desire leads to a streetcar named Cemeteries, and both of the most important characters suffer death in one way of another. Without this desire, this play would be completely different and have less meaning. ...
