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Minotaur


The artisan used his skill to create a heifer out of wood and leather. The queen concealed herself inside the heifer and the white bull, deceived by appearances, coupled with her. The fruit of this unnatural union was the Minotaur, also known as Asterion or Asterius, which had the head of a bull and the body of a man. Furious and ashamed, Minos had Daedalus construct a sort of huge palace-prison, the labyrinth, in which to keep the monster. Every year (or every nine years), seven youths and seven maidens were fed to the Minotaur, a tribute imposed on the Athenians by Minos. One day, Theseus suggested that he join the group of youths and, with the help of the thread given to him by Ariadne, he found the Minotaur, killed it and emerged, triumphant, from the labyrinth.
             The monstrous nature of the Minotaur derives from the way in which it was conceived. In this respect, the story of its origins is as important as its own story. Its life was in fact singularly devoid of incident. Imprisoned in the labyrinth, it was as if the tribute paid by the Athenians provided a periodic source of distraction and food. The story of the Minotaur is inextricably linked with that of the labyrinth -- the maze that was constructed for the creature, that was doomed to disappear with it and in which it waited. Without knowing it, the Minotaur was waiting to be slain by Theseus. This was the only event of its life.
             From a literary point of view, the Minotaur has experienced two major phases, one as the incarnation of horror and the other as illustrating the complexities of monstrosity. In the Greek and Latin Classical myth, the Minotaur was not the subject of an autonomous literary theme. It was either the monster slain by Theseus or conceived by Pasiphae. Its monstrosity left so little room for doubt that, during the Middle Ages, it sometimes appeared as a devil or a monster among many others, independently of its mythical background.


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