Barsanti.
[11] Reel of Tulloch- Traditional, arr. C. Norman.
[12] Solo percussion set.
[13] Sonata IX- Johann H. Schmelzer (1620/23-1680).
[14] Recercada Primera, Recercada Segunda- Diego Ortiz (c 1510-1570).
[15] Fandango- Santigo de Murcia.
[16] Zarambeques o muecas- de Murcia.
[17] Canarios- Gaspar Sanz.
THE MUSICIANS OF CHATHAM BAROQUE.
After twelve years of artistic and organizational growth, Chatham Baroque opened its new season with a new home, two new performance sites and a run of outstanding concerts. It consistently maintains a high quality of musicianship, along with rigorous academic standards of music research. Its members include: .
Julie Andrijeski (baroque violin) moved to Pittsburgh to join Chatham Baroque in 1996. In addition to Chatham Baroque's busy schedule, she maintains an active freelance career, appearing with groups across the country including the New York Collegium, Boston Early Music Festival Orchestra, Apollo's Fire, Cecilia's Circle and the Seattle Baroque Orchestra, among others. Recently she has served as concertmaster in Handel's Serse at the Wolf Trap Festival and directed and danced in a French baroque show with The Publick Musick in Rochester, New York. Julie Andrijeski has taught baroque violin at the Oberlin and Peabody Conservatories as well as baroque dance at Case Western Reserve University. She also maintains a faculty position at the Baroque Performance Institute, a summer workshop in Oberlin, Ohio.A native of Boise, Idaho, Julie Andrijeski holds a M.M. from Northwestern University and a B.M. from the University of Denver. She is currently a doctoral candidate at Case Western Reserve University and the Cleveland Institute of Music.
Emily Davidson (baroque violin) is a graduate of the San Francisco Conservatory of Music and the North Carolina School of the Arts. Formerly a member of the Pittsburgh Opera Orchestra, Emily "saw the light" and made the switch from modern to baroque violin in 1990.
