At the end, the reader leaves Alex as he is pondering a job and realizing that eighteen was not at all very young to him. He contemplates becoming a family man, having a son to whom he could teach the things he knew. During the course of this story, the readers develop within themselves a sense of darkness and fear, and at the same time a feeling of the surroundings and the tone of this book. .
.
Anthony Burgess suggests that a controlling government will cause a dark, turbulent, gloomy future using mood, using music, and using violence. A passionate lover of classical music, Anthony Burgess readily incorporated this element into his novel. A reader must be somewhat versed in symphony and orchestra to be able to fully grasp what Burgess writes of, "But even as he flatters his readers with the assumption that they have these prerequisites, Burgess reminds them that their cultural attainments are shared by the lowliest, most depraved dregs of humanity." (CLC 70). He had at one point in his life desired to become a composer. Although he did compose classical pieces in his time, he never undertook the task as a profession. This desire translated itself into one of the most important characteristics of the main character, Alex, who himself was an avid listener of symphony, his favorite being Ludwig Van Beethoven's Ninth Symphony, ".the Glorious 9th [sic.]" (Burgess 178) as he so called it. He listened to it when he needed soothing and relaxation as depicted after Alex comes home from a night of violence and thievery: Oh, it was gorgeousness and gorgeosity made flesh. The trombones crunched redgold under my bed, and behind my gulliver [head] the trumpets threewise silverflamed, and there by the door the timps tolling through my guts and out again like candy thunder. Oh, it was the wonder of wonders. (Burgess 33). It is seen here that the music which Alex listens to also has a psychological effect on him which heightens his emotions.