When he first sees Nana at the play, his unknown desires arise. His cheeks become flushed, his face red and he begins to sweat around her. He realizes that Nana has total possession of him and determines to fight against her. However, at the same time he resents the fact that Nana views him as a high virtuous man. Although it is against his nature, he descends to her immoral level and degrades himself to satisfy her. .
Before muffat's passion for Nana, he had never discovered any sexual experiences with a woman aside from his wife. .
"And now, all of a sudden, he was thrown into this actress's dressing-room, into .
the presence of this naked courtesan. He, who had never seen the Comtesse Muffat .
putting on her garters, was witnessing the intimate details of a women's toilet, in the .
midst of that powerful perfume which he found so sweet." (p. 155).
.
The development of early manhood arises within him. For the first time he lets out his .
repressed urges which he has never known to exist. He is living in a "whirl of excitement" Foreign to him and commits actions against his true nature. He frantically parades around town scrutinizing Nana's every move. Earlier, the Count would have never allowed himself to be caught roaming the murky streets of Paris as if he were a common street walker. He has always lived in a world of honesty and morality and spying indicates his degradation. Beastlike animal characteristics also begin to emanate from within him. Muffat's behavior becomes extremely aggressive which goes against his normal religious standards.
"He took hold of her again, clenching his teeth, and as she struggled to get free, .
crudely reminding her that he had come to go to bed with her. She grew frightened, .
and put her fingers over his mouth to stifle the cries he was uttering. Lowering her .
voice, she begged him to be quiet and let go of her.