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nana


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             Corruption of men in Nana.
             Nana, by Emile Zola portrays the life of a prostitute in nineteenth century Parisian society. The protagonist, a young woman, exploits her physical appearance and enticing body to ensnare men into relations in return for luxury and large sums of money. Her audience sees her as a goddess despite her lack of talent and she uses her sexuality as a weapon against society. Men continually come to Nana in hopes of satisfying their internal desires and offer her sumptuous amounts of affluence in order to be with her. They become entirely contaminated by her presence. Her clients begin to lose their morals and dignity as a result of their obsession with the great Nana.
             Bordenave, the producer of The blond Venus, in which many are attending, considers his actress Nana to "have something else," something mystifying making up for her lack of talent. She transforms herself into a captivating women opening the audience into a world of unknown desire by exposing her sensuous body. Men astounded, with their mouths agape sit there acting as if they have just reached the stage of puberty. .
             They have never witnessed such a seduction before. In complete amazement, Nana's customers show up at her apartment salivating at her presence, hoping to gain access to her desirable body. They offer her money even if it only means sleeping with her for just one night. Young, old and religious men become entirely corrupted by Nana's seductive spell, giving up their ethics to be with her. .
             Nana welcomes her admiring lovers into her life in order to keep her apartment and pay off her creditors. Among these men include Count Muffat de Beuville, an important member of the French government and has always been a pious Catholic until he becomes infatuated with Nana. Throughout his lifetime he has repressed every sexual emotion and has maintained an ardent attitude toward immorality.


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