What were Claude's contributions to an ideal landscape?.
Claude Lorrain's contributions to an ideal landscape?.
Claude, was born Claude Gellée who was also known by his fictitious name Le Lorraine or as Claude Lorrain, in the duchy of Lorraine (from which he derived his name) in 1604 (1). He was a French artist in the seventeenth century, who spent most of his working life in Italy. He was one of the greatest masters of classical landscape paintings. It is noted that, he was the first painter to acquire a huge reputation as a landscape artist and his popularity has remained undimmed ever since. His principal teacher, an Italian painter called Agostino Tassi, taught him the basics of perspective, landscape and seascape art (2). By 1633 Claude had found his definitive landscape style and joined Rome's Accademia di San Luca. He influenced landscape painting and garden design, though his paintings and drawings, over one thousand three hundred of them.
Claude was distinguished from other artists in this period, and the reasons for that were his contributions to an ideal landscape. He achieved such an acclaim because he was very skilful with the manner in which he dealt with the light. He could superbly show brilliant light and tones in his paintings, as he learnt to represent the exact light and colour change, for example, the red sky in the morning, the sunrise, the sunset and the evening hours so accurately, which had fascinated him immensely. What he would do was lie in the fields before daybreak and would stay there until nightfall. Whether it would be early morning or late evening, Claude would be able to show in his paintings the exact time of day by the use of pink tonal colour for the clouds or different length shadows. These were all created by his supreme observation of nature. This way of working showed in his earlier paintings, because they have strong dramatic light effects, to his later ones, which became transparently clear.
The only insight of Claude's childhood that Cather gives the reader is the story with the cherry tree and Claude's father. Claude remembered his mother asking Mr. ... Claude was in shock by what his father had done to him. ... This man's "stump," like Claude's cherry tree stump, has impaired the soldier who, by Claude's description, is in obvious pain. ... Claude runs into Dr. ...
Achille-Claude Debussy (a-kill-ee clod day-buse-say) was born near Paris in the town of St. ... However Achille-Claude Debussey was as far from "usual- as a child can be. ... During his time, Claude Debussy experimented with many different musical styles and forms. ... If one would mention Claude Debussy they would think of Clare de Lune. ... Claude Debussy was by far one of the most influential composers of his time. ...
Among the many talented Impressionist artists was Claude Monet. Claude Monet was the most representative of the Impressionists. Claude Monet was born on November 14th, 1840. ... Among the many talented Impressionist artists was Claude Monet. Claude Monet was the most representative of the Impressionists. ...
Claude Monet was a key figure in the Impressionist movement that transformed French painting in the second half of the nineteenth century. ... Impression: Sunrise 1873; Musee Marmottan Monet, Paris, one of Monet's contributions to this exhibition, drew particular scorn for the unfinished appearance of its loose handling and indistinct forms. ...
Claude McKay's role during the Harlem Renaissance 1920's was just as important as Langston Hughes. ... Claude McKay's visions and artistic accomplishments in the early parts of the twentieth century set the foundation for the Harlem Renaissance. ... Claude McKay's groundbreaking works show his dislike for the widespread racism and unfairness faced in an unjust society. Claude McKay wrote "If We Must Die" when there was abound lynching and violence in 1919. ... (Claude McKay, n.d.). ...
They are Christo and Jeanne-Claude. ... Jeanne-Claude had been born at the same time except in Casablanca, Morocco into a French military family. ... Christo met his wife while he was given a commission to paint a portrait of Jeanne-Claude's mother. ... Jeanne-Claude would be the art dealer, coordinator, manager, and organizer for these massive projects. So it was always Christo's projects until 1994 when they decided to change the name into Christo and Jeanne-Claude. ...
Through my exploration of Claude Monet's "Charing Cross Bridge," I learned that although my perception of the painting was shaped by my prior knowledge of the Impressionist movement, our concluding interpretations of art can never be absolute. ...
Have I heard sonnets? Let me count the times. I will gag on words so antiquated and this makes me wish I was sedated. To inseminate a calm in my mind. Historically, the sonnet has been a tool of love. Its flowing rhythm creates an ideal medium for the expression of affection. Elizabeth Barrett Br...
