In Eugene O"Neill's Long Day's Journey into Night, each member of the Tyrone family attempts to ignore his or her problems by descending into the depths of substance abuse and finding fault with the others. As Hinden notes, "The Tyrones exhibit patterns typical of families in which chemical dependency is a serious problem. Their interactions are characterized by denial, suspicion, insecurity, guilt, isolation, and resentment. (34)" The fourth act brings the closest thing to resolution possible for the Tyrone's. The late night meeting of James and Edmund Tyrone shows their true thoughts and feelings, which leads to the climactic monologue meant to bring redemption to James Tyrone.
The forth act begins with Edmund returning, to find his father alone and drunk. James Tyrone is found it what seems to be typical fashion, sitting alone, with a single light, two bottles of whiskey, and a deck of playing cards. Tyrone has turned off every other light in house, other than the one he is specifically using. He does this knowing that his sons are out, but coming back, and will need the light on upon their return. This is completely overlooked by Tyrone, fixated on the cost of power, and consuming only what small amount is necessary for his personal use. When Edmund, Tyrone's youngest son, does arrive, he stumbles in the parlor due to his drunken state and lack of lighting. Tyrone responds naturally, "Turn that light out before you come in" (2056). At first, Tyrone is seemingly fatherly and genuinely happy to see his son, "I"m glad you've come, lad. I've been damned lonely" (2057). This turns quickly resentful, "You"re a fine one to run away and leave me to sit alone here all night when you know-" (2057). This quick turn and attack is defensive in nature, for a moment, Tyrone had let his guard down and made it known that he was lonely, and in need of support. With the same speed, Tyrone changes to sharp irritation, "I told you to turn that light! We"re not giving a ball.
