Life has been cruel and brutal to all of the characters in A Streetcar Named Desire by Tennessee Williams. All except Stanley Kowalski, that is, who has instead been cruel to those in life. He was relentlessly brutal to Blanche during her stay at Elysian Fields and a violent husband to Stella. Stanley was also dominating towards all of his friends, including Mitch. Stanley knew their weaknesses and used them to his advantage. .
Stanley is a very "manly" man. He knows what is his and has to be in control of it. " I am the king around here, so don't forget it!" (195) Stanley enjoys all of his belongings; his apartment, his radio, everything. He knows all about the Napoleonic code because it involves what is his. By knowing this small piece of information Stanley feels a little more in control of what belongs to Stella, not that she owns very much. When Stanley hears about the loss of Belle Reve he feels cheated of what is his, which explain why he gets so worked up over it.
Stanley knows he is a good looking man and uses Stella's lust for him to control her. This is why when Stanley is trying to persuade Stella, he will touch her to remind her of how it feels to be with him. Due to Stanley's manliness he doesn't take kindly to women telling him what to do. This becomes clear almost straight away in scene two when Stella tells Stanley to come out side with her. He refuses with "Since when do you give me orders?" (135) He has little respect for women. To him they are only good for cooking, cleaning and pleasing him at his will. A good example of this is at the poker party when [Stanley gives aloud whack of his hand on Stella's thigh.] (145) He will take one look at a woman and sum her up with a sexual classification. .
Stanley is often described as "ape like" (163) and "on the primitive side." (137).
He has many animal and caveman like qualities about him. In the very first scene it is shown when Stanley comes along and heaves the red stained package of meat at Stella.
Tennesee Williams' Use Of Stage Effects And How They Change A Streetcar Named Desire Tennessee Williams' A Streetcar Named Desire is mastery of the use of lighting, setting, and sound to add to emotion and meaning to a play. ... It seems that the minor details of music, sound effects, lighting, and setting were actually some of the most important points of A Streetcar Named Desire. ...
In A Streetcar Named Desire the part that Tennessee Williams' life plays in the text is fairly large. ... His father withdrew him from university to work at the International Shoe Company, where he met Stanley Kowalski, who Tennessee Williams' has plastered all over A Streetcar Named Desire. ... Quoting A Streetcar Named Desire: The Playwright (http://hipp.gator.net/scarplaywright.html): 'He was noted for bringing to his audiences a slice of his own life and the feel of the southern culture. ... A personal interest/experience in the themes/issues and characters would not have...
The purest language of plays" - just by studying 'A streetcar named Desire" the reader can identity the numerous symbols Williams' uses to add depth to the plot as well as unveil his characters' personalities, strengths and weaknesses. ... Light, animal characteristics, music and the streetcars Desire and Cemeteries are symbols that Kazan puts emphasis on in the film just as Williams does in the play to lead up to the climax of Blanche's disintegration into insanity and Stanley's brutal triumph over her. ... "They told me to take a streetcar named Desire and then tr...
Tennessee Williams A Streetcar Named Desire- Tennesse Williams is known as one of the greatest American playwrights. ... Among his most notable and successful plays were "The Glass Menagerie-, which he refers to as "memory play-, "A Streetcar Named Desire-, "The Rose Tatoo- and "Cat on a Hot Tin Roof- for which he was appreciated winning the Pulitzer Prize. ... "Streetcar Named Desire- which was firstly entitled "The Poker Night- emerged right after the theatrical success of "The Glass Menagerie- when the authour learned to play poker game. ... The moment Blanche appea...
That play was A Streetcar Named Desire. ... It is no surprise that Williams again turned to Mielziner to design A Streetcar Named Desire. ... Thanks in large part to A Streetcar Named Desire, the duo of Mielziner and Williams helped to change theatre. ... At the time of A Streetcar Named Desire, "it was more like an accusation" (Murphy 1). ... When it came to A Streetcar Named Desire, Kazan's collaboration did not come cheap. ...
" A Streetcar Named Desire" by Tennessee Williams Bruce, Smith. ... "It's a French name. ... She tells him the origins of her name, which she treasures. ... "A Streetcar Named Desire" did not grab my attention at all. ... "A Streetcar Named Desire" was written in 1933, and many things have changed since then. ...
Viewing of A Streetcar Named Desire Although the basic story line is the same in both the book and the live play of A streetcar Named Desire, some things were different. ... For the most part, reading A Streetcar Named Desire was very similar to the live performance. ...
In the play "A Streetcar Named Desire" by Tennessee Williams, there are several prevalent themes. ... This is allegorically represented through Blanche DuBois's riding of the streetcars named Desire and Cemeteries. ... In "A Streetcar Named Desire", Tennessee Williams states that one can not shield himself from the harshness of reality by creating a fantasy alternative. ... This desire for physical relationships brought her to a more troubled state of reality. ... Tennessee Williams uses his play "A Streetcar Named Desire" to demonstrate the problem one faces with creating a fantasy...
Tennessee Williams uses symbols to help communicate his ideas in A Streetcar Named Desire. ... Clothing is a recurring symbol in A Streetcar Named Desire. ... Death, as told by Blanche, is the opposite of Desire, and Blanche wishes to be desired. ... The streetcar named Desire leads to a streetcar named Cemeteries, and both of the most important characters suffer death in one way of another. Without this desire, this play would be completely different and have less meaning. ...
