Though the child's soul is not tainted, a slight offense is detected, though not yet a sin, but a nave linkage as the child in his sermon to the lamb unknowingly compared himself directly to the creator. "We are called by his name" (Line 18). Suggesting that he, the child is on the same level as the creator, in a meek way. .
"The Tyger" however is entirely different as it sings its song of corruption as a consequence of experience. Just as Blake uses children to show innocence, adults are portrayed as victims of experience. It shows the constrictions bought about by society, due to the circulation of the knowledge of evil, which banishes the carefree gaiety of innocence. Knowledge that is supported and embraced as the image of the creator is twisted with the intent to conform and contort Him into a mold suitable for the polite world, and thus causes corruption. The Tyger signifies a duel purpose in this poem. It is the creature, the thought, and the idea that God molds and creates, just as man molds and creates the idea of God. It is the creature shunned by all except God, because he acquires the knowledge of evil, "When the stars threw down their spears/ And watered heaven with their tears," (Line 17-18), indicating that heaven rebelled against the creation of this life, and alludes toward a holy war. Since God should not willingly bestow blessings upon this animal wrapped in sin as he does the innocent lamb. .
During the entire poem the methodical beat of the words spurt vivid images, painted by Blake to show the physical labor that the Creator, portrayed as a black smith exerts to make the tyger: "seize the fire", "twist the sinews", "hammer", "chain", "furnace" and "anvil". In this poem as in the lamb, an apostrophic question was asked, though not in the same naive way," What immortal hand or eye/Dare frame thy fearful symmetry?" (Lines3-4).