In many of Shakespeare's plays, Shakespeare uses various forms of imagery to further strengthen themes and ideas. The main theme in "Macbeth" is that of appearances versus reality. Throughout the play, Macbeth is constantly in conflict with what he believes to be true, and what is actually true, what he thinks he sees, and what is really there. As the play develops, many images become reoccurring and overlapping. In the play, "Macbeth", Shakespeare applies the imagery of clothing, darkness and blood. The details of clothes, darkness, and blood seem to contain an important symbol of the play and each image undoubtedly helps make obvious the theme of appearance versus reality.
The image of clothing helps portray the idea that Macbeth's new garments (the royal garments of the king) are used to hide the evil side of Macbeth. Shakespeare describes Macbeth's clothes not as regal and fitting for Macbeth, but as a way to hide Macbeth's disgraceful self from his own eyes and from others. Shakespeare wants to keep alive the ironical contrast between the wretched character that Macbeth really is and the disguises he assumes to conceal the fact. Banquo, a symbol of goodness in the play, is able to foreshadow correctly that Macbeth's new garments will be unfitting when he says, "New honors come upon him, / Like our strange garments, cleave not to their mold, / But with the aid of use" (Act I, iii: 144). After Macbeth kills Duncan, Macbeth's evilness takes over and it is as though Macbeth's evil side inherently knows and understands that his new clothes will be used to hide the evil. Therefore, as soon as Macbeth gains control of the throne, the reader knows that the garments he wears do not belong to him, and Macbeth is thus continuously uncomfortable in his clothes because he is .
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subconsciously aware of this fact. It is as though Macbeth's guilty conscience is itching to get out, itching to get rid of the false lavishness that conceals it.