When she first picked up the phone she was mad as anybody else would be in her shoes. But as soon as she processed "Eddie Birdsell from Princeton" she became so amicable. She most of thought that a friend of Eddie, from Princeton, most have been rich or at lest well off. Faith was all ready to hook up with him for a date until she asked "Where ya callin' from? Where ya at now, anyways?" And "in a phone booth" was the wrong answer. When he said that she new he had no money and from that point on she had no time to meet up any more. This is a good example of the phoniest that Holden will talk about all through book. .
Oh and one I almost missed it is a little before the conversation with Faith it is a very important event. When J.D. Salinger had Holden look about of the window I think it was a big simile, of which I think about more in theme number 3, of the theme of the book. I'm sure Holden didn't ride all the way to New York to pick a run down hotel. So I take it when he drove up it probably looked good on the outside. He even "took it off [referring to the red hunting hat] before I checked inI didn't want to look like a screwball or something." So we can assume it was nice, or at lest on the outside. Salinger even throw Holden foreshadowed a little in the line "I didn't know then that the goddam hotel was full of perverts and morons." The first guy he saw out his room window "took out all these women's clothes, and put them on." Then he started walking around like a women, smoking a cigarette, and looking in the mirror. And now I guest I have to take back my sentence about transvestites in the opening paragraph. Second he saw a couple squiring water and "they were in hysterics the whole time," a little strange. You see the outside of the hotel represents what society is or tries to be, all nice and neat. And the people acting silly in the rooms are what we a really like. Im not saying we are all perverts but we all have two different personalities; one outside and one inside closed doors.