In Novemer of 1862, he returned to Paris. This time, he again experienced very little success. Two years later, in a momentary fit of discouragemet, Cezanne once again returned to his home in Aix. Historians think that this return was a result of the death of painter, Delacroix. Delacroix was one of Cezanne's greatest influences as an artist. From this point on, Cezanne's time was split between Paris and Aix (Venturi 164).
While in Paris, he began working on one of his first self-portraits. This portrait, among many of his firsts, were drawn and painted from a photograph. I think that this portrait was his way to let everyone know that he was serious about his chosen career path. The painting looks as if Cezanne only used four different blobs of paint: black, white, yellow, and red. I think that only a few colors were utilized in this painting because Cezanne wasn't experienced enough to use them all (Platzman 26). .
From 1865 to 1869, Cezanne experienced a lot of rejection from the art world. His painting were refused from the Salon on a regular basis. In 1870, he began living with a young women, Hortense Fiquet, whom he soon married. They moved to L'Estaque, a village 15 miles from Aix. This marrige was kept secret from Cezanne's father out of fear that he might cut Cezanne's money supply off. The next year, they returned to Paris (Venturi 164).
Among the rejected work was Cezanne's 1866 portrait of Antony Valabregue. I can only assume that after so much rejection from the main Salon, he only tried harder to infuriate them (out of spite). His "clotted" and "muddy-colored" style was definitly going against the grain of painters in that era, particularly the ones who regularly submitted work to the Salon. This peice, much like his early self-portraits contained very few colors. Blue is introduced only to color garments (Platzman 42). .
On Janurary 4, 1972, Hortense gave birth to a son, which they named Paul.
To make up for his hard life, he had high expectations for his son Paul. He wanted Paul to go to school, study law, and someday become a lawyer. ... So he took home the paintbox and gave it to Paul. ... The year 1886 was a pivotal year for Paul Cézanne. ... When Cezanne's father passed away he left Paul a 25,000 Franc inheritance which allowed Paul to focus on his painting more than ever before. ...
Janet Smith 22 April 2003 Cezanne Paul Cezanne was a French painter who was often called the father of modem art. ... Cezanne did not trust critics. ... Paul Cezanne was born in the southern French town of Aix-en-Provence, January 19,1839. ... Cezanne was automatically drawn to the more radical elements of the art world. ... Most of Cezanne's early works were painted in dark tones with a heavy fluid pigment. ...
So they began their own group also later joined by Camille Pissarro, Paul Cezanne, Berthe Morisot, Armand Guillaumin, Edgar Degas and Edouard Manet. ... Meanwhile Monet and Pissarro escaped to England where they met Paul Derand-Ruel, the Parisian art dealer. ... During 1872 Paul Durand-Ruel exhibited Monet and Pissarro's works in London, and in turn also formed a long lasting friendship and business relationship with the Impressionist artists. ... In 1873 the Salon rejected works by Pissarro, Monet, Renoir, Cezanne and Sisley. ... The artists who formed the Post-Impressionist movement wer...
Furthermore, artists such as Paul Gauguin, Paul Cezanne and Vincent Van Gogh appear to have had a profound effect on Matisse's style. Later on, the pointillist technique used by Henri Edmond Cross and Paul Signac also proved to have a great influence on his work. ...
During this time artists such as Vincent Van Gogh , Paul Gauguin, Paul Cezanne, and Edvard Munch used violent colors and exaggerated lines to obtain intense emotional expression. ... Several French artists were greatly impacted when a series of exhibitions of the works of Van Gogh, and Cezanne ran from 1901 to 1906. ... Like the Fauves, they were greatly influenced by the works of Gauguin, Van Gogh, and Cezanne, as well as Edvard Munch. ... Members included German painters Franz Marc, Auguste Macke, Gabriele Munter, and Heinrich Campendonk; Swiss artist Paul Klee; and Russian painter Wassily K...
Paul Cézanne wasn't interested in what people thought of him, his paintings or his lifestyle. ... For a long time, Cézanne was mostly known only to his old Parisian colleagues and to a few younger artists, including Vincent van Gogh and the French painter Paul Gauguin. ...
By 1908, however, Braque had shifted his attention to the paintings of Paul Cezanne, who was reputed to have restored order and discipline to the extremes of artistic expression. Braque's interest in Cezanne's strangely distorted forms and unconventional perspective led him to paint in the manner that came to be called cubist. ...
By 1908, however, Braque had shifted his attention to the paintings of Paul Cezanne, who was reputed to have restored order and discipline to the extremes of artistic expression. Braque's interest in Cezanne's strangely distorted forms and unconventional perspective led him to paint in the manner that came to be called cubist. ...
When the two young artist Pablo Picasso and George Braque had visited the exhibition of Paul Cezanne, it had inspired them to a great extent in their development to cubist style. ... This idea had influence Braque and develop upon Cezanne ideas on how art should be improved. ...
