1. Dante's Inferno
The world of Dante, in which sins are punished in Inferno, has a direct connection to Dante's views as to who is responsible for the political status of Italy. Dante was not pleased of the Italian governments conditions and situation. .
Dante believed that politicians were the general decision makers. He was not in favor of the power the popes of his time had, such as Pope Boniface. He thought that the popes were spoiling their roles as religious leaders and role models for society by owning property, and were being degraded by the money and political power that was given to them. These political/religious leaders were the main problems facing Italy; this is why Dante placed them in the lower levels of hell.
From the second part of the seventh circle and up, the sinners are portrayed in a more usual manner. Suicides and murderers, who are considered the worst of all, occupy the seventh circle. In canto XIII the suicides explain, "I am he who held both keys to Frederick's heart, / locking, unlocking with so deft a touch/ that scarce another soul had any part (58-60)." In this circle, one of the suicides who said, "I am he- is Pier delle Vigne, who was a powerful minister of Emperor Frederick II, until he was accused of treachery and was imprisoned, so he committed suicide to run away from the torture. The heretics are in the sixth circle, the wrathful in the fifth, the miserly in the fourth, the gluttons in the third, the lustful in the second, and those that, " lacked Baptism's grace, which is the door/ of the true faith you were born to (IV, 35-6)," in the first circle. Dante blames the state of Italy primarily on the selfish leaders who make the decisions, secondly those forced to carry out the leaders orders and do the "dirty work," and finally those who let others act through their own inactions.
One of the political allusions is found in the third circle, where the gluttons are punished.
Inferno Fever: "The Love Song of J. ... Eliot are inspired by Dante's "Inferno". ... In "Inferno, the lines are translated as: If I thought that my reply would be to one who would ever return to the world, this flame would stay without further movement; but since none has ever returned alive from this depth, if what I hear is true, I answer you without fear of infamy. ... Eliot uses the opening with an allusion to "Inferno" to provide a visual. ...
In particular, Virgil's Aeneid was the most influential in my reading of Dante Alighieri's Inferno. ... The Aeneid also influenced my reading of Inferno through the use of fate. ... The use of fate in Aeneid willed my interest discovering how fate is used in Inferno. Upon reading Inferno, I became aware of a different type of fate. ... " Similar to that from Aendid, the theme mentioned above also occurs in Inferno. ...
In "The Divine Comedy of Dante Alighieri: The Inferno," Dante often uses love and romance as a theme to convey his message of Hell in The Inferno. The Inferno is epic that is about a telling of Dante through his Journey throughout Hell while being guided by Virgil. ... Love plays a important aspect in "The Inferno" because without it, Dante wouldn't have been able to complete his journey without his guide who was sent by Beatrice. ... This love that is shown is improper and shouldn't be used as it is represented in "The Inferno" and instead tries to con...
The Inferno by Dante Alighieri portrays a frighteningly vivid vision of the Christian hell using poetic prose. ... There are other reasons for Dante's writing of the Inferno. ... The Inferno aided in bringing back parishioners to the path they have been lead astray from. Sister Mary Rose Gertrude describes Dante's use of revelations and honesty that underlie the inferno. ... (196) This is how Dante justified his writing the Inferno. ...
One of the main themes in Dante's Inferno is the symbolic punishment that Dante shows to the individuals he comes in contact with during his plight in Hell. Throughout the Inferno, Dante uses symbols to evoke "the will of God.... Dante's Inferno is jam-packed with symbolism. Each canto and stanza of the Inferno possesses an alternative meaning. ... " My question is based upon societies current perspective on the idea of an "eye for an eye" being inhumane, and how would Dante's Inferno be looked upon presently....
Inferno (Italian for "hell"), is the first part of Dante Alighieri's 14th-century epic poem "The Divine Comedy." ... Allegorically, "Divine Comedy" represents the journey of the soul towards God, with the Inferno describing the recognition and rejection of sin. ... Each sin's punishment in Inferno is a contrapasso, a symbolic instance of poetic justice; for example, fortune-tellers have to walk forward with their heads on backward, unable to see what is ahead, because they tried to see the future through forbidden means. ... As with the Purgatorio and Paradiso, the ...
Dante's Inferno, is an allegorical poem telling the story of Dante's journey through hell, led by Virgil the Roman poet. ... The Inferno envelops the familiar conflict of good and evil or heaven and hell. ... Contrapasso in regard to Dante's Inferno, has two meanings. ... The Inferno can be viewed in many different ways. ... Regardless, the allegories are a fundamental part of the Inferno. ...
Dante's Inferno is a classic story and the movie What Dreams May Come is a movie that somewhat depicts the book. Dante's Inferno is one part of a trilogy of Dante's story telling how he was taken to heaven. ... Like the Inferno, What Dreams May Come portrays hell as a place not of fire but of solitude were all you can think about is what you did to get there. For example in Inferno, Archbishop Ruggieri has to feed Count Uglino for all eternity, who he starved to death in the tower of hunger. ...