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The reality of rap and violence


Grandmaster flash is credited with perfecting and making famous the third critical rap music advancement: scratching. Scratching is a turntable technique that involves playing the record back and forth with your hands by scratching the needle against and then with the groove. Flash also developed the backspin and extended Kool Herc's use of break beats. .
             Hip hop is not just rapping it is also Djing, break dancing and graffiti art. Detractors criticize most rap music as a boastful promotion of violence; others admire rap as an inventive manipulation of cultural idioms and credit many rappers with an acute social and political awareness( Keeley). Rapper and DJs disseminated their work by copying it on tape- dubbing equipment and playing it on powerful, portable "ghetto blasters." Breakdancers used their bodies to mimic transformers and other futuristic robots in symbolic street battles. Although graffiti as a social movement first came out in New York during the late 1960s, it was not until almost a decade later that it began to develop elaborate styles and widespread attention. By the mid - 1970s, graffiti took on new focus and complexity. It wasn't the simple tagging styles like the past, graffiti began to develop individual styles, themes, formats, and techniques, most of which were designed to increase visibility, individual identity, and status (Rose). .
             Hip hop thrived in the black and Puerto Rican communities in New York, but is now just recently beginning to enjoy wide spread exposure. Hip hop has been one of the main contributing factors that helped curtail gang violence because of the fact that many rapper use their songs to channel their anger and aggressions (Davey). Rap Artists are viewed as role models by the young people who listen to their music. This only make thing worst when rap artists commit violent acts themselves. Some gangasta rap lyrics are anti-police and cause violence against police officers.


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