Another connotation of the low angle could be that Sarah has power, as she angry at what is going on, almost like the audience is cowering in front of her because we aren't sure how she will react. .
Sarah starts to frantically flip through the phone book. Both the Terminator and Reece have already done this. I think with Sarah now doing this as well it brings her closer to the terminator and Reece especially, as now she is closer to finding out the truth. Another connotation of this is that Sarah, Reece and the terminator are being drawn together because it is there destiny to be linked.
Sarah then tries to phone someone but the phone is out of order. It seems to the audience that technology is always on the terminators side. I think this is cleverly done in the film and that it makes the audience feel like there is almost no hope as technology is against her even though we depend on machines too much.
Sarah is then shown entering into the street environment. There is now a tracking shot from a hand held camera, which she is walking towards. This has been used to make the audience feel more involved as now we are following her as if we were a passer by. The tracking shot emphasises the importance of her character as there are lots of other people in the street but the sound of their presence is turned down so the full attention of the audience is focused on Sarah. Reece is then brought into importance in the scene as she glances at him. The audiences attention is then switched to focus on him foreshadowing something that may happen. The director cleverly maintains the ambiguity of his character as the audience is still weary of Reece and are not sure, as yet, to what his role is in the film. Sarah thinks Reece is the threat to her as do the audience. .
Sarah is then seen working her way into a night called Tech Noir', black or dark technology. This also gives the audience another reminder that technology colludes with the threat building up against Sarah .