The film we watched was A Streetcar Named Desire. It was directed by Elia Kazan and made in 1951. A few of the major actors were Marlon Brando, Vivian Leigh, Kim Hunter, and Karl Malden. Blanche Dubois arrives at her sister Stella's apartment. Stella and her husband, Stanley are surprised by Blanche's sudden visit. Almost immediately, sexual tensions and class differences erupt between Stanley and Blanche. Her rich lifestyle and way of acting is an insult to his working lifestyle. When he learns that she lost her teaching position for frequently "meeting with strange men," he discovers there's more to Blanche than meets the eye. I think that the theme of the movie was pretty poor.
The whole movie was based on why a lady left home and came to live with her sister for a while. It is a lot like a plain old television show. Nothing really incredible happens, there isn't much of a story line. She shows up and begins to fight with her sister and her sister's husband. He is mad about not getting any money and her having all kinds of nice clothes. He is just jealous.
The movie is done about everyday things. The things that happen in the movie happen all the time. Teachers loose there jobs for all kinds of reasons along the same lines. They have an affair with students, other teachers or just do something stupid and get fired. This is nothing special, especially not something to write a movie about.
The whole theme was pretty boring. It was not really an attention getter. I think it would put people to sleep instead of getting their attention. The whole thing about a lady showing up at here sister's house with a hidden reason is pretty boring. There isn't any action to it. The only somewhat action there is is arguments between them. .
Some people might say that it is a good thing to write movie about. Back then that kind of thing just didn't happen. Teachers were supposed to be good people.
In the Street Car Named Desire, by Tennessee Williams, Stanley Kowalski displays his brutality in many ways. ... Stanley's brutality is shown in several places during the duration of The Street Car Named Desire . ... In Conclusion, in The Street Car Named Desire, by Tennessee Williams, Stanley's brutality is evident throughout the entire course of the play. ...
The most obvious symbol used in A Streetcar Named Desire is its title and the actual reference, in the play, to the streetcars named Desire and Cemeteries. They not only are the means by which Blanche was brought to the home of Stanley and Stella; as the play unfolds, we realize the names of the streetcars have a greater significance. [Blanche says, " They told me to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at Elysian Fields"] (s.1, 6). Williams seems to be alluding to a belief that desire leads to death, even though it is not ...
Falsehood in A Street Car Named Desire Throughout life, people use false information to either hide or protect other information for their own benefit or maybe someone else's. ... In Tennessee William's book A Streetcar Named Desire, Blanch Dubois uses lies, fantasies and symbolic actions to escape the harsh reality of her life. ... Throughout the play a streetcar named desire by Tennessee Williams, Blanch uses lies, fantasies and symbolic actions to show her desperation to escape her harsh reality. ...
The characters make A Streetcar Named Desire an undeniable landmark in both American literature and film. ... A line could be straight, or a street, but the heart of a human being never." ... Although not as explicit, Stella also suffers from desire. ... Blanche: What you are talking about is brutal desire-just- Desire! - the name of that rattle-trap street-car that bangs through the Quarter, up one old narrow street ...
The characters make A Streetcar Named Desire an undeniable landmark in both American literature and film. ... A line could be straight, or a street, but the heart of a human being never." ... Although not as explicit, Stella also suffers from desire. ... Blanche: What you are talking about is brutal desire-just- Desire! - the name of that rattle-trap street-car that bangs through the Quarter, up one old narrow street ...
A Streetcar Named Desire - Complexity of the Characters It is the complexity of the main characters and their interactions that make A Streetcar Named Desire such a successful and challenging play. The play A Streetcar Named Desire made playwright Tennessee William's name and has deservedly since had over half a century of success. ... As the name suggests Stella and Blanche's time at "Belle Reve" was near perfect. ... A Streetcar Named Desire would hardly have a story if the characters weren't so complex and didn't interact with each other in the way in which they do....
In A Street Car Named Desire, by Tennessee Williams, Stanley Kowalski displays his brutality in many ways. ... Stanley's brutality is shown in several places during the duration of A Street Car Named Desire; at the poker night when he gets so angry and throws the radio out the window, when he beats his wife, Stella, and his arrogant actions are most apparent when he rapes Blanche, while his wife is in labor at the hospital. ... I've discussed the aspect of brutality in A Streetcar Named Desire and now I want to compare it briefly to brutality in The Program, A book turned scree...
"A Street Car Named Desire" was one of his most successful and most performed plays. The title of the play has relations with the specific location; New Orleans is actually served by streetcars named "Desire" and "Cemetery". The action might be summed up as Blanche's (the main character of the play) emotional journey from desire to madness. ...
