The teenage years are, without argument, the most confusing and formative years of a person's transition into adulthood, and the onus of an anxiety filled teenage existence leads, naturally, to an anxiety filled adult existence, as well as a variety of prescription medications and therapies along the way. In the past, individual and sociological problems eluded the adult regime which only saw the common woes of growth "apathetically, and as a rite of passage, a shared experience, and even a duty, but it only takes several school shootings to reevaluate how difficult life should be for a modern high school student Teen angst, growing pains, and a litany of vague terms describing the emotional problems of adolescence have been thrown out of the proverbial window, so to speak, by this politically correct epoch. Teenage anxiety and teenage depression are the new politically correct labels of the adolescent psychological forefront, and these two problems, so ubiquitous they might as well be the standard rule of normal "not the measure of a problem, influence the lives and maturation of millions of people cursed with an affliction of the numerical appendage "teen."" Millions of teens live in constant anxiety and depression without their cognizance of a problem, millions more know and are brilliant at hiding the fact from others, and millions more are just flakes statistically, sociological problems such as these are extremely difficult to quantify, if possible at all, and take years of gathering data in order to gain any sort of conclusion, but by examining the quantifiable world of problems created by this duo, their widespread grip on juvenescence acquires an eerie tangibility. .
Adolescents and adults experience anxiety on a regular basis, but adults, with more worldly experience, are much better adapted to acknowledging their own anxiety; many children and teens can only vaguely grasp the concept, and many live in a world where being stressed out, light headed, and dizzy is perceived as only a hindrance to their excelling.
Holden Caulfield completely normal and totally sane. ... He is afraid that the younger generation will become everything that he does not want to see, more phonies. ... Holden Caulfield the catcher in the rye. ... Holden Caulfield is a sane man in a sane world. ... One of those persons is Holden Caulfield. ...
Salinger creates Holden Caulfield to be an exaggerated version of the typical teenager, torn between childhood and its innocence and adulthood and its "phoniness". ... Teenagers of every generation seem to want independence by exploring and getting away and this is what Holden does. ... This is portrayed through teenagers in each generation dating back to the beginning of humanity. ... Holden Caulfield's actions are those that any teenager can clearly relate to. ... Caught in the middle of childhood and adulthood, the actions of Holden Caulfield are reflected in each person during their t...
Holden Caulfield is a sixteen year-old boy who is trying to understand why the world is the way it is. ... Also, "Holden Caulfield moves from prep school to prep school, is threatened with military school, and knows an older Columbia student, among other similarities." ... Holden Caulfield, the protagonist and narrator, is a sixteen year-old junior at Pencey Prep. ... Allie is Holden's younger brother. ... When Holden feels Mr. ...
Generations have flocked to the shores of America to try their luck in finding it. ... Holden Caulfield from J.D. ... Holden Caulfield, the main character of The Catcher in the Rye by J.D. ... Holden shows this by saying, "If there's one word I hate, it's grand. ... For Holden Caulfield, that means straying from the phony social norms, for Maya Angelou it meant pursuing her dreams and finding happiness, and for Dr. ...
To the reader who is at the transition from childhood to adulthood, the protagonist of The Catcher in the Rye, Holden Caulfield, becomes the reader's hero. ... When Holden ascertains of the date Stradlater, his sexually experienced roommate, has with Holden's old friend Jane Gallagher, he becomes incensed. Holden characterizes Jane as nave and pure, yet he deems Stradlater as immoral and perverted. ... Furthermore, Holden is aghast to see the words Fuck you written on the walls of Phoebe's school. ... If The Catcher in the Rye continues to be censored, the meaningful mess...
An excellent example of a person like this is one, Holden Caulfield. ... He decides not to contribute any good towards his society and future generations. ... Holden wants the "same songs- to be "played-. ... When Holden's brother, Allie, dies from leukemia, Holden's life is all the sudden filled with tragedy. ... It brings out the worst of Holden. ...
The Catcher in the Rye begins when Holden Caulfield goes to visit one of his teachers before he has to leave the school since he was kicked out. ... The book describes Holden's days in New York and the people he meets. ... Holden often acts in a manner that isn't quite normal, for both now and then. ... The books represented the youth of it's time, even though he was much older than a youth at the time it was written, but more importantly it still represents the youth today, since each generation feels the need to be totally and completely different from the generation before it...
Another example is Holden Caulfield of The Catcher in the Rye by J.D. ... Holden is a cynical and apathetic teenager; a product of the 1930s. ... However, we can relate to Holden, who is powerless in his journey to adulthood. ... At the same time, the counterculture was making its way into the youth of America, which meant that the younger generation began to question the traditional views of the older generation. ... Leonard (1975) discusses how we are "a comic book generation; that is our heroes are comic book heroes, our ideas of justice and morality are comic book ideas, and their g...
