Going to hell has been one of the most culturally exciting and fascinating subjects to humanity, spanning the globe with different descriptions for each region and time period. This essay will focus on comparing the Greek and Roman views of hell to Dante's medieval version. As will be discussed later in more detail, the makeup of hell, or the underworld, is mostly rooted in religious beliefs and cultural tradition; Christian doctrines about God's punishments for specific sins, as opposed to Greek and Roman ideas for the soul's eternal fate.
Interestingly, although the Greek underworld and the Roman underworld share many parallels, there are some differences, probably due to discrepancies in the role of the individual and the state. An example of this would be the dominate characteristic of Odysseus, easily described as independent heroism; while Odysseus was a victorious hero in the battle against Troy, he made many detours in his journey home for leisure and luxury. The whole theme of The Odyssey celebrates the abilities of the individual, which contradicts the theme of The Aeneid, holding truth to being "duty bound" to the state.
In The Odyssey: XI A GATHERING OF SHADES, Odysseus's mother, dead in the underworld speaks this: "All mortals meet this judgment when they die" meaning that all people go there when they die, a contrast to the idea of heaven and hell. Persephone, the daughter of Zeus rules the happenings of this underworld, where black blood streams and the souls of the dead are described as impalpable shadows. There is a parade of souls of beautiful women who tell of their name and fate, then Odysseus sees some souls in torment, including Tityos, Tantalos, and Sisyphos, all tortured by different means.
Hades, or the Roman underworld, where Aeneas ventured into is much more frightening to read about than the Greek description. In the courtyard, there is an old, shadowy elm tree, and about the doorway are many different monsters and evil creatures.