Carter, Carter defines Integrity as requiring three steps: 1) discerning what is right and wrong; 2) acting on what you have discerned, even at personal cost; 3) saying openly that you are acting on your understanding of right and wrong. I think that according to this definition, in the book The Stranger, by Albert Camus, the character Meursault, does not act with integrity. His complete indifference to life and his emotional isolation from others does not allow him to be a person of integrity. Not only does he not seem to know right from wrong, he doesn't care either.
According to Carter, in order to act with integrity, one has to get involved, even when there is risk. Meursault does not get involved with his life. From the first words of the book, it is clear that he is so uninvolved and uncaring that he is not even sure what day his mother died. Even when he is attending his mother's funeral, he is distant and apathetic. It becomes completely apparent to the others at the home that he is devoid of emotion. He does not take part in the funeral, he is merely just a shell of a body forced to be there. .
His indifference, even to the most sensitive and personal of matters, also shows in his relationship with Marie. It is clear that she is in love with him, but he seems to be rather indifferent. He clearly likes to be with her, but when she is not around, she is just an afterthought. During his time in prison, he hardly thinks of her at all. .
It is hard to tell if Meursault is able to tell right from wrong. It is hard to know how he feels about being friends with Raymond. When Raymond talks about them being pals, Meursault doesn't have any feeling about it. He just knows that it doesn't bother him. When asked to write the letter to Raymond's mistress, he helps out, not once thinking about the consequences. He has no concept that Raymond might not be a good friend or a person of integrity himself.
A Stranger to Morality Meursault, the novel's hero, a "stranger" to the system of Christian morality insofar as he cannot comprehend it, is certainly not an "outsider", neither consciously choosing to remain "outside" society nor being rejected by it. ... In the final paragraph of The Stranger, Camus does not "sum up" his hero's fate, but leads him into a breathtaking vision of new life in the face of death. ...
The Stranger For Camus, freedom arises in awareness of one's life, the every-moment life, an intense glorious life that needs no redeeming, no regrets, no tears. ... In a sense, The Stranger is a parable of Camus" philosophy, with emphasis on that which is required for freedom. Meursault, hero of The Stranger, is not a person one would be apt to meet in reality in this respect; Meursault does not achieve the awakening of consciousness, so essential to freedom and to living Camus" philosophy until the very end of the book, yet he has lived his entire life in according with the morality o...
The Tall Stranger The Tall Stranger was written by Louis L"Amour. The Tall Stranger was written in 1957. ... The Tall Stranger is a story about a stubborn man named Rock Bannon who saved eastern breed settlers from Indian attacks and Mort Harper, a fast talking crook. ... The Tall Stranger was a very enjoyable book. ...
The Stranger The novel, "The Stranger", written by Albert Camus is about one man's life. The main character and the author, Meursalt, gives every detail and thought throughout the novel. He portrays himself as a person who doesn't seem to care about much, yet he is a hero. Meursalt shows his her...
The stranger faces the group on a regular basis without becoming integrated within it. He further describes the stranger as an integral part of the economic sphere. ... This mobility and lack of formalized ties to the group allow the stranger to be objective. ... He is not perceived as an individual, but a "stranger of a certain type." ... Simmel struggled with a precise definition of the stranger because at best it is the combination of the stranger's remoteness and nearness with respect to the group he approaches. ...
Despite the somewhat absurd nature of The Metamorphosis, and the realistic nature of The Stranger, similar values are communicated to the reader. ... Meursault (the narrator) in The Stranger only sees and only wants to see the absolute truth in society. ... This is the main turning point as far as existentialism is concerned in The Stranger. ... The Stranger's Meursault is existentialist, finding a need for a meaning to life only when his is about to be taken. ... The Stranger, on the other hand, follows an idea that quietly not conforming will only hurt oneself. ...
In The Stranger, by Albert Camus, Meursault undergoes a mental transformation from Part 1 to Part 2. ... Throughout The Stranger, Meursault transforms and begins to develop meaningful memories about the meaning of his life. ... Meursault is much more interested in trivial details about strangers. ... In The Stranger, by Albert Camus, Meursault undergoes a mental transformation from Part 1 to Part 2. ...
In Albert Camus" The Stranger, his actions and reactions display him as an immoral man, expressing apathy towards society's formulas for convention. ... Confronted with the court's legal mechanics, Meursault is a stranger to the judicial world, thus disabling him. Meursault is also a stranger to social custom. ...
In his song "The Stranger", Billy Joel uses his lyrical genius to make a universal connection with his "stranger", and by doing this makes a connection with Mersault from Camus" The Stranger. ... [16-18].) is often rejection ("It was then I felt the stranger kick me right between the eyes" [34-35].) ... A similar parallel can be made to Mersault from The Stranger. ... The Arab is the first person in the novel to reveal the "stranger" within themselves to Mersault. This leads to Mersault exposing his "stranger" by murdering the Arab. ...
