Schindler and Richard formed a partnership that lasted until 1930, when the two had a falling out. While they were associated, Richard provided the landscape design for a number of Schindler's architectural projects. These included the How and Lovell Beach Houses. As partners and independent practitioners, each designer contributed greatly to the development of modern architecture in southern California. Los Angeles' mild climate, appetite for experimental lifestyle and sizeable population of European émigrés, made it the center of European Modernism in the United States during the inter-war years. As a key player in this phenomenon, Richard's many works of architecture, his numerous lectures, and voluminous written documents, including articles and books in the 1920s and 1930s, made him into "one of the world's best and most influential moderns- , according to a 1949 issue of Time Magazine, in which he was named "Man of the Year."".
The Neutras' move to Los Angeles was significant for Richard since he believed that its moderate climate was conducive to an architecture that was integrated with landscape and in harmony with nature. His son, architect Dion Neutra, has stated, "California gave him [Richard] a chance to get close to nature. It was a closeness which stimulated him until the end of his life."" This closeness with nature is apparent throughout the body of Richard's work. According to landscape historian David Streatfield, "Neutra merged his acute sensitivity to the local landscape with the European modernist tradition of treating nature as mere backdrop to man-made architecture with the soft forms of nature proving a contrast to machine-age materials. In the Lovell Health House (Los Angeles, 1929), for example, Richard took advantage of the site's steep terrain by designing a multi-level home that clung to the hillside, creating extensive valley views.
In William Shakespeare's Richard II, Richard took these divine rights very seriously. ... then Richard emphasizes it by telling the men to "Arm, arm, my name". ... This relates to the biblical story because, "Richard at first is Cain. ... As Richard looks into the mirror he says, "No deep wrinkles yet? ... Richard's Christ like attitude eventually leads him to his fall from the thrown. ...
In what ways does a comparative study accentuate the distinctive contexts of Richard III and Looking for Richard? ... By studying the connections between Shakespeare's play Richard III and Pacino's adaptation "Looking for Richard", the change in context and respective values are made apparent. ... Thus, Shakespeare portrays Richard as an ambitious and evil character. ... Due to the significance of religion in the Elizabethan era, and Richard's subversion of religious conventions, Shakespearean audience were positioned to perceive Richard as an immoral and evil character. ... Sha...
Richard Serra Assignment Richard Serra is a sculptor whose work is highly criticized because of its simplistic nature. ... She highly encouraged his artwork and introduced Richard as "the Artist." Richard then continued testing his abilities and painted art pieces. ... A company in San Francisco, Richard's hometown, was closing and about to destroy its two tons of rubber; rather, Richard called the company and bought the rubber from them. ... Richard then realized that he needed to individual himself. ...
Richard Wilbur was born on March 1, 1921 in Manhattan, New York. ... Richard had a younger brother named Lawrence. ... Richard first ambition was to be a newspaper cartoonist. ... After the war Richard enrolled at Harvard with his G. ... World War II also had an impact on Richard's career. ...
But for his usurpation, there is much to commend in the career of Richard III, 1470-85." How far do you agree with this judgement of Richard? Richard III, a wicked tyrant, an unscrupulous murderer, a deformed hunchback. ... Some six weeks later, Richard, Duke of Gloucester, uncle of the two boys, proclaimed himself king as Richard III. ... Richard identified himself strongly with the law. ...
"Richard Cory" The poem "Richard Cory" is a poem that explains this world in the most mysterious way. ... The people in "downtown" and on the "pavement," were way underneath Richard's stature. ... Richard was a very wealthy man, but I do not think that he was what you would call "filthy rich," he was just a regular human being with more money in his pocket. ... I still would like to know the exact reason why Richard put a bullet through his head, but I can use my imagination to finish it myself. ... Everyone has a "Richard Cory" within them, they just might not show it off as...
Edwin Arlington Robinson's poem, Richard Cory, is a modern day Aesop fable. ... The people on the pavement were people who looked up to Richard Cory. This is because Richard Cory was a well-distinguished businessman. ... It is in this area of his life that I believe Richard Cory was poor. ... It may have been that Richard Cory had only money as his friend. ...
Tudor propaganda created a monster and named him Richard. ... That rise-fall pattern is clearly seen in King Richard III. In the first three acts a charismatic Richard successfully removes anyone who stands in his way to kingship. ... There is no subplot or conventional romantic interest, for all events are part of Richard's rise and fall. ... Those events are dramatised in the plays that precede King Richard III. ...
Richard Hamilton Richard Hamilton was born in 1922. ... Richard Hamilton was one of an independent group who wanted his art to be "of the moment", rather than above it. With inspiration from artist Eduardo Paolozzi, Richard Hamilton did various collaborations with other artists that shared his beliefs in art as well as created much of his own using popular culture. ... This type of art was popular with British pop musicians as well, and when asked to do some work, Richard Hamilton jumped at the chance to create art for the Beatles on their white album in 1967. ... In closing, I feel...
