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How Guy de Maupassant creates moral dilemmas.


He doesn't intrude very often into the story, because he likes to leave the opinions up to the reader. This works well because he always adds a "twist" at the end which could often change our opinion of a certain character.
             He causes moral predicament by describing the person's good and bad points, in turn, creating two sides of them. In Mother Sauvage he shows her great physical bravery and moral courage, however much to be "deformed" by the hard work she does, but yet tells of her murder of the soldiers. This creates moral confusion. He normally introduces this idea before the end, so as we do not make our "final" attitude towards the character. He also does this in The Adopted Son, when at first Madame d"Hubieres says: "Oh, look at all those children, Henri! How pretty they are ," which tells me she is quite a gentle and loving woman. Though, when she says: "I must hug them!" it changes my attitude of her to a demanding and spoilt woman.
             Maupassant causes morals to arise by using a mixture of absolute and circumstantial morals. This is shown in The Adopted Son and puts the idea in our heads that either one of the two families is morally correct.
             The moral dilemma's are striked off by a complication or conflict. He uses this to structure the whole story, adding new complications as the story goes on, or "sorting-out" the problems beforehand. .
             In Mother Sauvage she reads a letter about the death of her son and "little by little the tears came to her eyes and the sorrow filled her heart," gives me the impression of sympathy to her, but then she murders the soldiers in the cottages and tells the officer, quite unsympathetic, that is was her. The change in morals, once again, has made me change my mind, too. A recurring feature also in The Jewels, but this time, with money.
             A major theme in Maupassant's short stories, and indeed many of his novels and plays, is the contrast between the rich and the poor.


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