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Romeo and juliet


            The production that I selected to critically review is Baz Luhrmann's William Shakespeare's Romeo + Juliet. Luhrmann's version of forbidden love and the eventual suicide deaths of young Juliet and Romeo is translated with a unique integration of modern setting and language without losing the original texture and meaning of Shakespeare's work. 1996's William Shakespeare's Romeo + Juliet is evidently intended for a younger demographic of viewers, partially due to quick paced and choppy editing, modern cultural allusions, as well as star power consisting of a cast featuring Leonardo DiCaprio and Claire Danes in the title roles. Luhrmann intertwines the language of Shakespeare's time and the more modern uses of the same of American society beautifully and effectively, avoiding the tendency for the viewer to become bogged down in Shakespearean terminology. This shows itself to be the most successful element of the film along with the ultra modern setting is appealing to the '90's "sound- bite" mentality.
             The opening credits introduce the characters, setting and main story line in quick images and gives the un-knowledgeable viewer the basis of the movie in the simplest of terms while tense gothic music is played over the visual stimulation to increase the feeling of drama and quicken the senses. A notable difference in this play from Shakespeare's original work is the obvious modernization of the surroundings. The opening chorus is replaced by a news woman on T.V. reporting on Shakespeare's "star- crossed lovers" (6), and again repeated in segments, voiced by the priest, while in split second intervals the characters are introduced and the action summed up. A noticeable transformation occurring early in the action is the updated weaponry, gone is Benvolio's simple sword, to be replaced by the "Sword 9 mm Series S"(scene 1) automatic weapon and Montague's long- sword has been revamped as a "Longsword pump shotgun" (scene 1).


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