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The Bluest Eye



             Americans of 1939 treasured blonde hair and blue eyes in both dolls and little girls. The cup that bears Shirley Temple's image is blue and white, symbolizing the eye and skin color of the idealized white society. By drawing this connection, Morrison fixes the American standard of beauty with connotations of violence and genocide, because these skin and eye colors, on dolls and little girls, were also symbols of the Aryan ideal of how one should look. The character, Claudia, seems aware of the danger the representations of these idealized white people and dolls pose to her and will not allow herself to be fooled. She destroys the white dolls, which were given to her as gifts, and fantasizes about attacking living white girls. Claudia is angry because society cherishes white skin and blue eyes and thus can never consider her, a black girl, to be beautiful. Mr. Henry makes the girls happy in the beginning by telling the young sisters they look like Hollywood stars, whom are white, which suggest to be a star and be beautiful one must be white.
             Pecola's fixation with blue eyes, discussion of ugliness, and part which narrates her trip to buy candy all deal with a relationship between beauty, ugliness, and hatred. The drama between Cholly and Mrs. Breedlove illustrates the power of societies construction in shaping the Breedloves' ugliness and their belief in that ugliness. The narrator also says that the Breedloves saw proof of their own ugliness in "every billboard, every movie, every glance", emphasizing the role of social constructions in creating the idea of ugliness. Pecola's interaction with the shopkeeper is important. Eye imagery fills the scene, as the shopkeeper cannot "see" Pecola. To see her would be to see her as a person. To him, Pecola is nothing, and she in turn can see in his eyes that she means nothing to him. Moments like these make Pecola's delusion that she is hideous worse.


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