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In many paintings the death and the assumption of Mary are shown together as one scene, as is the case with Neri di Bicci's depiction of this event. This scene shows the ascension of her body into heaven with all the apostles present, and her tomb is closed. The way Bicci presents this scene is more symbolic, rather than a literal portrayal of Mary's assumption. These symbols are present throughout the painting which allowed the artist to show different aspects of the story within one work. .
One of many symbols that were used was the painting of Jesus" crucifixion with Mary and John beneath Him. This is a symbol of Mary's sorrow and the reason she wanted to be reunited with her son, and it is also the scene where Jesus asks John to take care of His mother. John, who had become a central figure in Mary's life, is seen kneeling on the tomb with his hands outstretched to Mary. Mary is handing John her girdle or sash which is representative of her last tie to earth, and her new beginning in heaven. Another way the artist shows her leaving earth behind is the lilies that were left on her tomb. These flowers are typically a symbol of Mary because they are white which alludes to the idea of her purity. The palm branch that lies on top of her tomb is important because Mary requested John to put it there and also because a palm branch is a symbol of victory, or a martyr's triumph over death. Although Mary is not a martyr, she did dedicate her life to God and her death was a holy miracle. The hallowedness of the event is also represented in the halos that surround the heads of all who were present at the Virgin's death. The halo in this painting identifies people who are sacred or have great dignity, which all of the figures possess. .
The use of colour in this work is as intentional as the use of symbols because each colour has a meaning. White is important because it symbolizes purity, innocence and holiness.
