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Abelard and Ventadorn


This illustrates Abelard's recklessness and need for measure. .
             On a broader social scale, I realized that they are both exploring areas of love that perhaps have previously been poorly explained or illustrated: a constant roller-coaster of love described by the troubadour Ventadorn, and the struggle for measure and balance between two of Abelard's affections. Bernart De Ventadorn's exploration of human love defines the ups and downs he experiences, through his eyes. He is very dramatic indeed, and somewhat tortured, but he does have a strong case. Have we not also been so wrapped up in love that at one minute we are walking on air because the one we cast our affection on has cast a casual "Hello," our way, and the next minute we are anxiously biting our fingernails and threatening to "lose it" because we simply do not know how the other person feels? It is my belief that Ventadorn wants to explore the beautiful and horrifying feelings of love and shed light on the subject in order to help the education of his readers. Through internalizing measure, Bernart has managed to control his burning desire, and keep his composure, even though he is emotionally distraught.
             Abelard also uses his prose to offer advice (Abelard, 57). He is using his disastrous story as an example of how bad things have become for him, in an attempt to make his friend feel more comfortable in their situation, or at least Abelard wanted to make his friend pity his condition. Abelard's Historia Calamitatum develops Abelard as a man with a love for learning philosophy and analyzing theology. " I was so carried away by my love of learning that I renounced the glory of a soldier's life, made over my inheritance and rights of the eldest son to my brothers, and withdrew from the court of Mars in order to kneel at the feet of Minerva" (Abelard, p58). Abelard altogether drops Heloise from his composition after she becomes a nun, and thus seems to abandon his human love for her.


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