Bull! The industry is just looking out for itself. A recording artist receives approximately 12 percent of the suggested retail price, less a packaging cost, less a recording cost, totaling about $1.78 per compact disc. Which the songwriter must then be paid out of the $1.78. Most artists make their money off of live concerts and merchandise sales. The record company receives about $10.00 per compact disc, less their advertising, which still amounts to much more than what the artist is receiving, and shares with no one. So who is the recording industry really fighting for?.
Another point in my debate is that studies show (not those studies done by the record companies mind you) that downloading is creating free exposure, and thus increasing record sales. At no cost to the artist, their songs are being sampled by millions of potential consumers leading to increased concert ticket, and merchandise sales, which is where artists make most of their money anyway. Free exposure is virtually nonexistent, not even the radio is free. Artists pay unbelievable amounts of money to have their songs on the radio. With file sharing songs are reaching millions, if not billions of potential consumers. Where else can an artist receive that much exposure at no cost to them?.
During my research for this paper, I came across an article written by Janis Ian, a recording artist of the seventies. She has taken the devil's advocate and stated that downloading is actually good for artists. Ian says that when Napster was running, she polled persons that came to her site, and asked how many of them came because of downloading her songs? She wound up with about 100 a month, and of those approximately 15% bought one of her compact discs. Many stated that they never would have bought her CD otherwise. Some had never even heard of her before sampling her songs.
Janis has been running an experiment of her own since the close of Napster.