This concept is illustrated in Enough when Mitch (Campbell) and Slim (Lopez) first meet during an afternoon shift at the diner where Slim (Lopez) is employed. The scene starts out when a gentleman, who we later find out is one of Mitch's friends, starts hitting on Slim to the point where she becomes flustered. Unknown to Slim (Lopez) another gentleman, Mitch, stands up to defend her in her efforts to make the gentleman leave her alone. This can be seen as Falsification because it was a set up by Mitch (Campbell) to meet Slim (Lopez) while she had no idea that Mitch (Campbell) and the other gentleman were friends. This creates the fiction that Mitch (Campbell) and the other gentleman did not know each other and generates the notion that Mitch (Campbell) is an upstanding guy. .
The second main point of Interpersonal Deception Theory that can be connected to the movie Enough is the concept of Concealment. Concealment is defined as hiding a secret or in other words disguising the initial Falsification. Concealment is evident in the movie when Mitch (Campbell) claims to be working late when in reality he is just staying at the office to further his affair with his secretary. During this time Slim (Lopez) doesn't ask any question because after all she thinks she has the perfect marriage and it wouldn't happen to her. Dunbar, Artemio, and Burgoon contend that when deception occurs in conversation, communicators who are active participants should be less accurate in detecting it than should observers by virtue of their level of interactivity (Dunbar, Artemio, Burgoon, Communication Reports). This is demonstrated by Slim (Lopez) when she is fully engaged in conversation but doesn't realize that her husband has been staying late at work for months and is totally oblivious to any negligible behavior on Mitch's part. The theory by Dunbar, Artemio, and Burgoon is directly reflective of Slim's behavior because of the level of her interactivity when in conversation with Mitch.
The theme of deception gains depth and added meaning. Iago's deception continues throughout the play. ... To the tormented Othello this is proof enough of his wife's unfaithfulness, to the point that he orders Iago to murder Cassio. ... Deceptions have led to the death of Desdemona, unjustly. ... Thus it is easily apparent that deception is a key theme. ...
The theme of deception gains depth and added meaning. Iago's deception continues throughout the play. ... To the tormented Othello this is proof enough of his wife's unfaithfulness, to the point that he orders Iago to murder Cassio. ... Deceptions have led to the death of Desdemona, unjustly. ... Thus it is easily apparent that deception is a key theme. ...
The theme of deception gains depth and added meaning. Iago's deception continues throughout the play. ... To the tormented Othello this is proof enough of his wife's unfaithfulness, to the point that he orders Iago to murder Cassio. ... Deceptions have led to the death of Desdemona, unjustly. ... Thus it is easily apparent that deception is a key theme. ...
"The Metamorphosis", "The Thousand and One Nights", and "Decameron" all tell stories within stories which demonstrate a woman's love, deception, and virtue. ... Queen Juno suspects her husband of the rape, so she clears the fog, but not soon enough. ... The story of Atalanta and Hippoumenes is a love story about love and deception. ... One of the spectators, Hippomenes, disparages men foolish enough to enter such a race; but the point of the story remains the same: Venus is warning Adonis about what happens to those who did not listen to the advice of the gods and thank them properly, a w...
In every aspect of human life, deception is not only present, but almost necessary. ... Her tale is one of enchantment and adventure, but the aspect of Cinderella that enthralls people the most is the deception factor. ... On the flip side of their supposed evil deception, there is Cinderella's righteous deception. In fact, the audience to these stories consider what her deception enables her to do as magic. ... The stepmother obviously is intelligent enough to realize that when opportunity knocks, opportunity is to be savored. ...
Such as the characters Iago and Hedda, these two both share very similar qualities of deception and both tend to manipulate other characters for their own benefits. ... In "Othello" one of the most key themes within the play is the act of deception and control of others. ... This speaks about Hedda as a character when the only person she has enough trust to open up to ends up turning on her. ...
What is the nature of the deception being perpetrated in the work? ... There was obviously a doubt in her mind that it was indeed Robbie, however, her encounter with Robbie and his obscene letter to her sister was enough to let Briony lose all respect for him. What motivates the deception? ... However, they were never settled down mentally or physically suitably enough to share their unfortunate love. ... Robbie's suffered the most from the deception. ...
One form of paternalism is benevolent deception, in which the clinician purposely withholds information because, in his or her judgment, the information may be too upsetting for the patient.5 Physicians in the 1970s made unilateral decisions to not treat deformed newborns without consulting the parents because they thought they were saving the parents from the emotional burden of decision. But public outrage when this practice was exposed led to including parents and others in the decision-making process.4 Clinicians may use benevolent deception if they think patients wouldn't want to...
This form of deception is used everyday. ... This is a great use of deception by Odysseus. ... Odysseus also used deception to fool the suitors. ... While Odysseus uses of deception are very great, he is clearly outdone by the trickery and deception of the goddess Athena. ... Had Athena not posed as Mentor Odysseus would not have been motivated enough to go out in search of his father. ...
