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Sandra Cisneros


The family lived in a small apartment in Chicago, where she had to share a room with her brothers and sometimes even her parents. So you can say she never had privacy in her early childhood.
             Sandra said the neighborhoods the family lived in looked like houses that were in France during World War two. The family lived in the barrio where it's basically a neighborhood of Spanish people and sometimes even African-Americans. This helped Sandra start writing. What better way, because she observed the people in the barrio to help her with her writing ideas. When Sandra started school her parents made her go to catholic school. They thought it was the right way to go with their daughters" education. Cisneros was never a great student; she usually got C's and D's on her report card. She never saw her self-becoming a writer or even publishing her early work that she wrote as a young girl.
             It wasn't until one teacher in High School told Sandra that she had the talent to become a writer. That is when she began to start writing and seriously thought of becoming a writer. Sandra later wrote that the education she got from her teachers was pretty bad. They never really got her into writing, there teachings were dull and they made no sense. When she graduated from High School she enrolled at the University of Loyola in Chicago Illinois. Sandra graduated with a B.A in English from Loyola. Where later she joined a workshop there and became a teacher to minority kids. .
             To critics Sandra Cisneros has a style of writing that is hard to pick-up. She uses her childhood she lived to write most of her work. She uses her Mexican background and being a woman writer in America. Cisneros Addresses poverty, Cultural suppression, Self-Identity, and gender roles in her fiction and Poetry. (Biography 2). Some of her writings include "The House on Mango Street", "Woman Hollering Creek and Other Stories", and "Caramelo". The Biggest Title is "The House on Mango Street".


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