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Goerge Catlin


Catlin had settled in New York by 1826, the year he was elected to the National Academy of Design. He planned to enter several painting in that exhibition, but decided to not put up the works, after learning that they were to be hung in an obscure location. The young artist resigned from the organization the following year and did not show his work again in New York until 1828, when he exhibited twelve paintings at the American Academy of Fine Arts. Catlin married, and for the next few years he and his wife Clara divided their time between New York City, her family's home in Albany, Washington, and Richmond. Work was scarce during much of this time; in 1829 the artist did receive an offer to paint a group portrait if the one-hundred-one Virginia legislators assembled at the State Constitutional Convention in Richmond. After this, Catlin had marginal success. His career spent traveling throughout the western territories painting Indians would offer him adventure and almost certain fame. Catlin's first trip west was in 1830. With the encouragement of General William Clark, the famous explorer who was then serving as Superintendent of the Indian Affairs for the Western tribes and Governor of the Missouri Territory, the artist gained access to numerous Midwestern tribes and was able to study them in great detail. In the summer of 1838, only six years after his visit, the Mandan Indians became ill with smallpox which was from the fur traders. Nearly half the Indians were dead. The forty who survived were soon enslaved, murdered, or assimilated by neighboring tribes. The disease went on to 25,000, Blackfoot, Cheyenne, and Crow Indians before gradually spreading west to the Pacific. .
             From 1830-1836, he recorded the lives and exotic customs of his subjects than on following the philosophy of beauty and the Fine Arts. Because he was forced to work rapidly, he generally would detail the face more than the rest of the body, and outline in earth tones, and adding only the colorful costumes.


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