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Electronic Eros


            Machines have grown more complex, more powerful, and most of all, more useful. Although all machines look and perform their duties differently, all possess a single common factor: they are all robots. In Claudia Springer's book, Electronic Eros, the author explores the definite interdependent relationship between machines and humans through examples from Robocop and Eve of Destruction, and how the connections have constantly propelled mankind to a newer, more advanced era.
             When the public speaks of male robots or cyborgs, Robocop and the Terminator are often the first to be talked about. Their images have given a concrete figure to the idea of human fusion with technology. Robocop is created by the Security Concepts team by fusing mechanical and electronical components with some remains of murdered police officer Alex J. Murphy. As Springer puts it, both cyborgs are aggressively violent and "embody a fantasy of destructive force combined with invincibility."(95) Male cyborgs are usually given physical characteristics as aggressive with bulging bodies, almost identical to Robocop. Fusion with technology in Robocop gives the cyborg a suit of armor. The cyborgs are represented as invincible humans whose impregnable bodies protect them from assault that would destroy an ordinary human. The features of Robocop include: sturdy head, massive chests, and muscular arms and legs, as if portraying real flesh. The cyborg's physical "prowess is heightened, not abandoned, and its strength is physical, not cerebral." (96).
             Robocop is an ideal example of a true male cyborg. Throughout the movie, Robocop strides fearlessly into blazing gunfire and withstands multiple attacks. When he is disabled, and even destroyed, he knows that he can be reassembled. Robocop gives the audience a clear definition that he is powerful and nearly indestructible. This is what Springer calls "rock solid masculinities."(109) Despite the concealed and advanced complexity of computers, cyborg imagery in Robocop relies on an external rather than an internal concept of mechanization.


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