Abraham Zamicku (°1964, Buenos Aires, Argentina) is an artist who works in a variety of media. With Plato's allegory of the cave in mind, Zamicku makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of American superabundance and marketing. His artworks are saturated with obviousness, mental inertia, cliches and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, he wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation.
His works are an investigation into representations of (seemingly) concrete ages and situations as well as depictions and ideas that can only be realized in art. By applying a poetic and often metaphorical language, he makes work that deals with the documentation of events and the question of how they can be presented. The work tries to express this with the help of physics and technology, but not by telling a story or creating a metaphor. His works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. Abraham Zamicku currently lives and works in Brooklyn.
Abraham Zamicku (°1964, Buenos Aires, Argentina) is an artist who works in a variety of media. With Plato's allegory of the cave in mind, Zamicku makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of American superabundance and marketing. His artworks are saturated with obviousness, mental inertia, cliches and bad jokes.
