The recognizable proof of Hughes as a cultural folk poet clouds the idea that he is a splendid writer of thoughts, and radical thoughts at that. The ideas of negritude and soul, the governmental issues of Black Power, the brain science of dark fury, are so well known to black people of the sixties that it comes as a stun to understand that Hughes was showing understandable and solid pictures of them in his poetry in the twenties and thirties. "The Negro Speaks of Rivers," and "Ballad of the Landlord," then, is just the start of a long chain of poems by Hughes which stand up to develop, and change the verifiable experience of African Americans into a workmanship both limpid and automatic.
Langston Hughes, a man of many things Langston Hughes is a standout amongst the most surely understood African American artist and short story authors in our nation today. He is likewise renowned for his eagerness to compose on any subject essential and near to him, and never being hesitant to go to bat for what he believed to be right. Through his poems and short story composing, Langston Hughes had the capacity to fuse interesting thoughts, as well as social issues essential to him, individual family matters, African American way of life, and even types of music. Therefore, his written work is close to home, and perusers feel captivated to peruse it as they find themselves able to identify with him and the issues exhibited to them through his work. .
As an African American composing (and endeavoring to distribute) poetry in the United States just 60 or somewhere in the vicinity years after the end of the Civil War, a period when indications of prejudice-including explicit segregation, brutality, and even lynchings-were still widespread, Langston Hughes inescapably investigated such points as oppression and liberation in his work (Evans 2010). As alluded to earlier Langston Hughes was a voice for his people (African Americans).
