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African-American Heritage in Everyday Use


Mama spends her days daydreaming about having the perfect family and weighing a hundred pounds less. Mama looks upon her eldest daughter Dee with much pride saying, "I will wait for her in the yard that Maggie and I made so clean and wavy yesterday afternoon" (297). Mama's character goes through a transition once Dee arrives, going from being inferior to standing her ground when Dee says she wants the quilts: " I did something I never had done before: hugged Maggie to me snatched the quilts out of Miss. Wangero's hands and dumped then into Maggie's lap" (303). Mama then continues to say, "Take one or two of the others," (303). At this point Mama shows integrity, finally making a stand for her history and heritage. .
             Maggie, the younger daughter, is a rather shy and unattractive girl, bearing the scars on her body as a result of their house burning down ten or twelve years prior. Almost lifeless and lacking confidence, Maggie walks like a, "lame animalchin on chest, eyes on ground, feet in shuffle," (298). Maggie speaks slowly and low in tone; sometimes they, "almost couldn't hear her" (301). Contrary to her looks, Maggie is homely and has a heart of gold: "Maggie is the arisen goddess of Walker's story, she is the sacred figure who bears the scarifications of experience and knows how to convert patches into robustly patterned and beautifully quilted," (Baker 457). Living in the shadow of her sister, Maggie sees Dee as the one who, "has held life in the palm of one hand 'no' is a word the world never learned to say to her," (Walker 297). Maggie, much like Mama, with little education, "stumbles," as she reads and, "loves and understands her family and can appreciate its history," as she knows how to quilt and holds that dear to her heart (Christian 455). Anxious of her sister's arrival, Maggie "will stand hopelessly in corners" (Walker 297).


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