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Death in Gothic Literature


As the short story progresses, the narrator discovers more and more victims of the Marquis's murders. She states that the 'Skull remained beautiful'. The use of the juxtaposition between 'skull' and 'beautiful' is interesting as is seems to satisfy the reader in the same way it satisfies the narrator and the same way that death satisfies the Marquis. Therefore, the fascination with death in this story does characterize gothic literature through the way in which it is presented by Carter and the interpretations it gives. .
             Similarly, In 'The Snow Child' the count has an unnatural obsession and fascination with death and the supernatural. Firstly, from his imagination he creates 'the child of his desire' showing a strange fixation with the supernatural. This not only characterizes the child, but also the gothic story. Following this, as the young child dies, his obsession seems to become even stronger as he 'thrust his virile member into the dead girl'. This event of graphic necrophilia is considered the most graphic image in the collection of short stories which explicitly portrays the Count's obsession with death again bringing the story to life. As this takes place, the countess is reduced to a spectator which could suggest that Carter portrays the fact that women know that men would rather indulge with dead fantasies than accept true women showing a morbid view of human relationships. .
             On the other hand, in 'The lady and the house of love', it appears that there does not need to be a fascination within gothic literature for it become characterized. For example, the young man has no fascination with death and at most no fascination at all. For example, he is described to have a 'childish lack of enthusiasm' although he is face to face with a vampire. This is also evident when the young man goes back to his world. He continues to fight in war yet the gothic and mythical lives on even in the fields of war.


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