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Catch-22 and Milo Minderbinder


            War is what we use to justify protecting our countries' ways of life. It's glorious, because each time we reduce our enemies to a pile of ash, we reveal to the world all the potential wrongdoings and injustices that could have been dealt to us if we had kept them around. War also a phenomenal source of profit, and in today's capitalist society, everybody wants a "share" of that. Ironically, our pursuit of peace is also a yearning for continued conflict. We exist in a system that prioritizes power and profit over human life and encourages the continuance of war, a corrupt dynamic between our bureaucracies and capitalism known as the military-industrial complex. Joseph Heller criticizes all levels of this complex in his wartime satire Catch- 22 through Milo Minderbinder, a businessman who excises no moral boundaries in his insane and fatal pursuit of profit. Milo's true evil is demonstrated by his complicity in betraying his comrades, corruption of cultural ethics/ideals, and protective rationalization of war- all to satiate his endless (and symbolic) corporate greed.
             Heller characterizes Milo Minderbinder as a conniving businessman that personifies capitalism's rampant, abysmal greed and influence through his Syndicate. Much like modern day corporations, he has an "honest, frank face" (63), though with crooked features such as an awkward nose and a mismatched mustache. Milo is initially introduced as a relatively unassuming mess officer, but his greed is hinted at by his obsession with expanding the squadron's cafeteria options. He is analogous to the modern day entrepreneur due to his resourcefulness, and he eventually manages to turn his Syndicate into an international entity capable of powering entire economies. Like Yossarian, Milo is able to partially see through the political charades of the war. He could "see more things than most people, but he could see none of them too distinctly", since his vision is obscured by ambition and greed.


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