The inhuman behavior of her mother makes her to undermine the Mexican traditions. This is evident with the vivid description she gives on the agony inflicted on her. It is noted that good relationship with her father who was also an artist contributed to Frida's artwork. Consequently, it can be said that her father greatly contributed towards the representation of herself in the art. The father initiated the culture of painting in her daughter through his photographic artworks. She ventures into art with the sole reason of addressing the effects of some cultures and traditions to her audience. This is evident when Frida puts much emphasis on blood and its attributes. She does this with the aim of portraying the afflictions of a woman in the society. However, from the continuous analysis of this artwork, it is imperative to note that Frida majorly bases her artwork on her own feelings and emotions which raises concern about the destiny of feminine artwork.
Theme of death and marriage is clearly indicated in this artwork. Frida uses her painting skills to describe the separation and marriage crisis. In addition, she uses Mexican woman and the Occidentalized woman. The heart of the Mexican woman indicates one who is loved and given to blood. On the other hand, the Occidentalized woman's heart represents one who is rejected and is bleeding profusely to death. However, the heart is kept breathing by a surgical clamp. Moreover, the title of this artwork is very important because it shows the different situations in marriage experienced by couples. The pivot role of this painting is to indicate Frida's condition as she battled out with life. To say it all, the message of pain is successfully conveyed to the audience. As a result, the audience also feels the pain of the painter when viewing the art and cannot avoid sympathizing with artist.
"The Two Fridas" qualifies Frida Khola to be considered as the founder of feminine oil painting in art history.
