" The polluted and industrial imagery mirrors the Great Gatsby's and highlights again the gap presented between the wealthy and ordinary people. Vile Bodies reinforces this gap, present in the Great Gatsby through this imagery, and highlights what was a key social issue during the 1920s, and is still noticeable today.
Moreover, Fitzgerald presents wealth and the wealthy elite through the use of car motifs. Cars were seen as a symbol of wealth and status during the Jazz Age, and this is present in both books, comparable to owning popular branded items nowadays. Ironically, cars can also be seen as symbols of destruction through the car crashes that occur in both books. Indeed, the apathy towards cars and crashes shows how the elite had so much money they could afford to destroy a prestigious status symbol without caring. This is shown in the Great Gatsby when Owl Eyes crashes the car at Gatsby's party in chapter three (p43), and how he knew "very little about driving." This in turn attributes recklessness to the wealthy because they thought they could get away with anything because they had the money to repair any damages. Vile Bodies reflects Gatsby in the same way. Miss Runcible has her car crash (p152-3), and has to go to a nursing home, through her own carelessness. Moreover, recklessness can truly be seen through how little mention of the actual car crash there is, almost as if it had never happened. This mirrors Owl Eyes in the Great Gatsby when he was involved in the car crash, and shows just how "irrelevant" something like this was to their lives.
Furthermore, it is clear whom Fitzgerald refers to, when he describes the rich, due to their names. This can be seen through how Jordan Baker's name refers to two 'twenties car manufacturers, and other references, such as "the Baedeker girls" of Baedeker Travel Guide Fame, or "the Chrysties," presumably of Christie's Auctioning Fame.