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The Fish by Elizabeth Bishop


            Elizabeth Bishop's poem, "The Fish," expresses a speaker's view of nature from outside it, to becoming one with it. The writing suggests that by catching and then releasing a fish, the angler bonds with this fish and begins to view the world as this fish does, if only momentarily; the two worlds combine with imagery and symbolism. When the speaker first catches it, the fish is held, "half out of the water." The fish is in between worlds, half in the human's world, in the air and half in his own world, the water. Speaking of the "terrible air," symbolizing the fish being in a world he is not meant for. To the speaker he is an object, an inanimate thing. The fact that the fish does not fight the hook stuck "fast in the corner of his mouth." He is seen as a victim of humanity, of life, "a grunting weight, battered and homely, as he is at his most vulnerable now caught in between two worlds. .
             The speaker's description of this fish implies he looks like a thing, something non-living, making his death seem imminent by the fact he has been caught. He seemed to resign to the fact that this was his last battle. His brown skin, the strips looking like, "ancient wallpaper" whose pattern is "lost through age." He is marred, covered with barnacles and "infested with tiny white sea lice," in comparison to maggots, seen also as a symbol of death. The speaker also symbolizes a shroud in saying he is draped in, "rags of green weed." Pulling together an image in our mind of this fish, as it relates to humanly standards. As the poem continues, the speaker starts to see the fish differently. He turns into an animate, living thing, much more than a dead, or dying object. The fish breathes "terrible oxygen." This shows how painful every second is he is being held on the thin line between the two worlds. His gills "fresh and crisp with blood," this image evokes both fear of death and the compassion for the old injured fish.


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