Piercy conceives this social satire as her proposition of a better social environment for women and a challenge to the operative, mainstream ideas dominating second-wave feminism (Sümbül).
When Connie was transported through her mind to a new place with the help of Luciente the first thing she saw was a river. "Little no account buildings, strange structures like long-legged birds, a few large terracotta and yellow buildings irregular buildings, no skyscrapers, no spaceports, and no traffic jam in the sky" (Piercy, 60). Connie saw a place that looked like villages and did not have big cities because Luciente said that big cities did not work. Connie also saw bicycles and people on foot. There were intensive plots of vegetables, plants and animals. Mattapoisett seems an environmentally friendly place: That's why Luciente considered being peasants because they lived in a village. They raised chickens, ducks, goats, turkeys and cows. The people from Mattapoisett dedicated themselves to taking care of the environment. Mattapoisett is not like the city where Connie lived which was a place full of noisy with big and tall buildings. The technology was very important in Connie's culture. That is why Connie said that "it is not how I imagine". Connie was hoping to see a very advanced society in the area of technology. In Mattapoisett at first it appears to be a backward and non-technological society, but then it was clear that the people had a positive attitude toward machinery. The differences between those two worlds reflect a commonly felt ambiguity about technology's value in contemporary life: the ability to eliminate the inequalities caused by poverty, racism, and sexism and the potential to crush individuality, enforce stereotypical gender roles, and encourage violence (Farr).
In Mattapoisett, we do not see any starving people, "But no one lacks here", (Piercy, 240) the society of Mattapoisett shares their jobs and everything with one another in the community.