He applies these dead body parts to piecing up the appearance of the monster. At the last step of his experiment, he collects all the instrument of life and infuses a spark of being into the monster. Then, on a rainy day at midnight, by the glimmer of the half-extinguished light, the monster opens its dull yellow eye. It starts breathing with a convulsive motion agitating its limbs. The monster is alive. On the contrary, in the film Mary Shelly's Frankenstein (1994), Frankenstein does his experiment in the lab of his professor, Waldman, who had secretly conducted this kind of remake experiment for a long time, but died from a stab from his patient who didn't believe that after injecting the vaccine he would prevent plague in the society. After the death of Professor Waldman, Frankenstein uses his professor's lab, following his professor's researches and journal left to carry out his experiment on creating a living creature. While doing the experiment, Frankenstein uses the bodies to make the monster's appearance, but the last step of giving the monster life is totally different from that in the novel. Frankenstein draws on thousands of electric sea eels releasing currents into pregnant women's boiled amniotic fluid to wake up the creature. As expected, the monster is alive. In short, the design of settings which show the rebirth of the monster is much more desirable than that in the novel. That means the electric sea eels are better than a spark of being.
Another difference of the gothic element between the novel Frankenstein and the film Mary Shelly's Frankenstein (1994) is the endings of the plot. The movie expresses more a dramatic and powerful ending scene than the novel. In the novel, the monster says "It is well. I go; but remember, I shall be with you on your wedding-night" (152). Frankenstein replies, "Villain! Before you sign my death-warrant, be sure that you are yourself safe" (152).