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The Revolution of Literature: 19th-20th Century



             Many writers from this time completely changed these expectations society had from romantic literature figures preceding them and took on entirely new perspective in their writing. Literature being only one of the "victims" of this rise of new revolutionary spirit and intellect in society, was a new beginning with freedom for writers to expose the societal issues, and express their personal thoughts as writers. Due to this innovation of modernism as a style for writers, the exploration and infinite directions resulted in writers experimentation as modernism became a "muse" for their own creativity. The rise of modernism goes hand in hand with an entire society progressing their intellect and awareness of who they are as humans and the dynamics of society. Among the many Writers/Novelists of this time period some of the most influential writers include: James Joyce, Henry James, Ernest Hemingway, Stephen Crane, Gustave Flaubert and, Frantz Kafka; All of whom are not only prime examples in rejecting the romantic perspective in their writing, but are also masters in exhibiting freedom in altering the form, and substance throughout their writing to adequately exemplify motifs of modernism.
             While Joyce, Crane, James, Hemingway, Flaubert, and Kafka all master the incorporation of modernist ideals in their writing, each writer individually has a unique style. Evidently any writers personal lifestyle and experiences influence who they are, therefore influencing what drives them to write what they do. While the content and structure vary, the overlying concept of modernism is always present in these writers' stories. Each one masterfully exposes their persona through their writing. Reading was and still is a dominant pastime for civilizations world wide and is constantly evolving in correlation to the occurrences of society of it's time. Fiction being the most popular choice for recreational readers is exciting because it gives any reader a chance to believe and in-vision something that they are not particularly exposed to in everyday life.


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